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HONFLEUR VU DE LA COLLINE Painting

Tremohars Bruno

France

Painting, Acrylic on Canvas

Size: 28.7 W x 36.2 H x 2 D in

Ships in a Crate

$4,105

Shipping included

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343 Views

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The port of Honfleur seen from the hill.

Year Created:

2014

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

28.7 W x 36.2 H x 2 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

France.

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Need more information?

TREMOHARS is born in 1955 into a family of painters, not far away from Pont-Aven where he still lives today, but he grew up in the Paris area. He studied graphic design at the ESAT (higher school of technical arts) in Boulogne-Billancourt, and is then admitted at the Beaux - Arts in Paris. He then worked in the fashion (printed fabrics), in art publishing houses and assisted various sculptors and painters. Around thirty, he started to travel a lot. He lived and worked in Mexico, then in India, for several years. He is influenced by the Cloisonnism of the Pont-Aven School (tinted areas, parting of the shapes using dark circles as in stained glass work) and painters who observed the regional life at their time such as Lemordant, Méheut, De Belay or Lucien Simon. TREMOHARS describes his recent works as those of an "image-making'' painter, technician of the past, of a distanced universe that he recreates with a thorough and falsely naive graphic and the use of pure and generous colors. His gouaches, acrylics and oil paintings recycle and tell us the story of the old Brittany, a Golden Age of fishing and agriculture, enriched by nostalgia but freed from anecdotes. His paintings, full of group-scenes, seem to be the projection of an internal and ideal world looking for contents and possibilities to be expressed through pictorial forms. Bruno TREMOHARS is often invited to show his work around.

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