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Circle Flowers on Gold Print - Limited Edition of 1

Deborah Walsh

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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8 x 10 in ($40)

8 x 10 in ($40)

12 x 15 in ($70)

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Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

Metal: Dark Pewter ($150)

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$40

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Repeated circle flowers printed with found objects

Year Created:

2013

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

8 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

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Need more information?

The independent body of work that I have created over a number of years contains many reflections. Light falling on reflective surfaces, defining form, creating pattern and rhythm, intrigues me. My work begins with source photographs as a roadmap to manipulate and alter the image to create a composition that is aesthetically exciting and meaningful to me. Reflections are used to uncover more detail than what the eye sees naturally; images that might be otherwise missed or overlooked. The “frozen moment in time” is an important element as well as it taps into our shared experiences and emotions and brings narrative into the work. I reveal ideas that photography, expressionism, and abstraction can’t. I paint what I see, as I see it, in my own way. Cars, motorcycles, bottles, glass, the everydayness of American life are my subjects. I choose representation over abstraction but the abstract qualities of the forms dominate; the shapes, lines, textures, and colors are forever interesting to me. Creatively restless and endless experimentation with style, I continue to explore the relationships between hyperrealism and abstraction.

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