
Rotterdam, Zuid-Holland, Netherlands
IT'S ONLY THE END OF THE WORLD: FINDING HOPE IN THE RUINS The central focus of Mel Chan's practice ...
About the artist
Joined In 2021
(33 Followers)

About the artist
Joined In 2021
(33 Followers)
IT'S ONLY THE END OF THE WORLD: FINDING HOPE IN THE RUINS
The central focus of Mel Chan's practice revolves around finding hope amidst the impending apocalypse, while simultaneously tracing the intricate relations between our dystopian situation and the legacies of Colonialism and (Neo)Colonialism.
Encompassing participatory performances, hypnotherapy, storytelling, painting, and video, my practices not only guide people to live with the crisis, but they also serve as an acknowledgement of historical causation and an investigation of remedies and hopes in times of precarity.
Mel Chan graduated from Master Artistic Research in The Royal Academy of Art The Hague (KABK) in 2019, and has a double major degree in Philosophy and Comparative Literature from the University of Hong Kong.
2026
AIRTHROPOLOGY - WHAT FLOATS BETWEEN US
Josilda da Conceição Gallery, Amsterdam
IN MOTION
Moya Museum, Oosterhout
2025
WILD SUMMER OF ART: TRACES WE KEEP
Brutus, Rotterdam
START OF THE SEASON!
CASCO Instituut, Utrecht
WARÚM DARÚM WARÚM DARÚM —A CONVERSATION PIECE
Loods 6, Amsterdam
RESONANCE FROM THE VOID
De Doelen Art, Rotterdam
PERFORMANCE PROGRAM AT DEPOT FOR FESTIVAL MOTEL MOZAÏQUE
Museum Boijmans van Beuningen,
Rotterdam
RIPPLES RIPPLES
Het Archief Artspace, Rotterdam
IT’S ONLY THE END OF THE WORLD
Cloud, Amsterdam
2024
ARTIST IN RESIDENCE, Museum of Young Art (MOYA), Oosterhout
EVER ENDING
Platform Post, Nijmegen
ESCALEREN
Pictura, Dordrecht
TRANSITIONS: NAVIGATING HUMANITY IN A SHIFTING REALITY
The New Current, Brutus, Rotterdam
ART ROTTERDAM
Rademakers Gallery, Rotterdam
SHE KNOWS
Rademakers Gallery, Weesp
2023
PAN AMSTERDAM
Rademakers Gallery, Amsterdam
WHEN I HAVE FEARS THAT I MAY CEASE TO BE
Willem Twee Kunstruimte, Den Bosch (Solo Exhibition)
SPRINGBOARD ART FAIR
Werkspoorkathedraal, Utrecht
A PUBLIC AFFAIR
Young Collectors Circle/Dead Darlings, Amsterdam
THIS IS THE AGE OF DESTRUCTION
Galerie Franzis Engels, Amsterdam
ASMR Performance for SOFT DESTRUCTIONS by artist Anna Witt, Kunstinstituut Mell...
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