Pablo Sombrero

My practice investigates the intersection between perception, memory, and embodied experience. I use photography as a process of structuring the invisible—tracing emotional, spatial, and energetic phenomena through a visual language that oscillates between observation and construction.
Rather than pursuing representation, I work with photography as a site of translation. The images operate as condensed forms of experience: fragments where atmosphere, gesture, and tension become material. I move across subjects—bodies, interiors, night environments, transitional spaces—treating each as a variable within the same inquiry. What matters is not the motif but the underlying structure of sensation that each image holds.
The work develops through sequences. Editing is central to my methodology: it establishes rhythm, proximity, and dissonance, allowing the images to function as a temporal field rather than isolated objects. Through this approach, I am interested in how photography can articulate states that are unstable, unresolved, or residual—those that exist between clarity and opacity.
Ultimately, my practice examines how the visual can register what the body remembers but cannot articulate verbally. The images do not illustrate narrat...

2015 graduated at CEAVAO

2014 Olivos Library, Bs As
2015 Quema la nave CABA
2017 Centro de Investigación Cinematográfica CABA
2017 Universidad de Palermo CABA
2018 ONG Fundación Cariló, Cariló
2019 Casa azul, San Luis
2021
2025 Espacio Arte Vivo, CABA