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Original Surrealism People Collage by Andrea Deschambeault
Original Surrealism People Collage by Andrea Deschambeault
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Original Surrealism People Collage by Andrea Deschambeault
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Original Surrealism People Collage by Andrea Deschambeault
Original Surrealism People Collage by Andrea Deschambeault
Original Surrealism People Collage by Andrea Deschambeault
Original Surrealism People Collage by Andrea Deschambeault
Original Surrealism People Collage by Andrea Deschambeault

69

"Complicit" Fine Art Print

Andrea Deschambeault, United States

$40

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
10 x 10 in ($40)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

mixed media

Year Created:

2012

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

1961 NYC

My interest in painting lies in how far in the picture we are concerning something as modes of thought and situation influence one another. The problem of knowledge as it involves the relation of self and other, works to create both an intimacy and an objectivity with the world. Framing is that construction which takes things out of the world to put them back into a world. I am interested in the signification that goes on in the naming of things, (framing them), and the question that raises concerning the relation between creating and discovering or between creating and producing.

Signification, as construction, obscures a discourse and hides that fact. What is the necessity behind this as a mode of being human? OR Nietzche's pressing question: To what extent can truth endure incorporation?

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