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Original Conceptual Pop Culture/Celebrity Collage by Britni Franklin
Original Conceptual Pop Culture/Celebrity Collage by Britni Franklin
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Original Conceptual Pop Culture/Celebrity Collage by Britni Franklin
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Original Conceptual Pop Culture/Celebrity Collage by Britni Franklin
Original Conceptual Pop Culture/Celebrity Collage by Britni Franklin
Original Conceptual Pop Culture/Celebrity Collage by Britni Franklin
Original Conceptual Pop Culture/Celebrity Collage by Britni Franklin
Original Conceptual Pop Culture/Celebrity Collage by Britni Franklin

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"Penthesilea" Fine Art Print

Britni Franklin, United States

$126

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
16 x 20 in ($126)
Select a Canvas Wrap
Black Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Mixed media

Year Created:

2015

Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 20 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Britni Franklin

About the Artist

Britni Franklin

United States

My work addresses the implications of cultural appropriation in relationship to the effect of colonialism on individualized culture. I explore the issue of reverse appropriation within the context of contemporary society. I begin to express these concepts through material application and within the process itself. I assign traits of a non specific indigenous culture to portraits of individuals from the 1920s to mimic the process of taking a valuable aspect of a subservient culture and re-appropriating it within a dominate culture, without consideration of its origin or meaning. The images are created from contact prints that were made using found glass plate negatives. In order to make the prints appear to be more authentic to the time period I applied the attributes of the individualized culture through the process of hand drawing them on acetate and then laying them on top of the negative before exposure, to show how things potentially could have appeared if reverse appropriation had occurred much earlier in history.

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