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Canvas
12 x 16 in ($95)
White Canvas
White ($135)
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Metro drawing mixed up with rubbish found on the street (aluminium, tissue, folded paper...) manifesto > Like a child gleaning a seashell on the beach, or a homeless detective straight out of The City of Glass, he leans over to pick up a rubbish. This rubbish, he’ll keep it as a precious treasure. Later he’ll try an alchemy, in his white notebook with yellow pages. Drawings will come to populate these bits of fractionated plastics, sublime scrap, and unintentional perfect folds. These are stolen drawings in the subway. People sleeping or absorbed by the screens. Some look out the window on the train, as if they were going to start talking to their reflected-ghost. Initially he wanted to restore a link between the humans he drew. This utopian fiction was quickly stifled by the hotchpotch of plastic, cardboard and aluminum spreading in his collages. A bit like our world capsizing in the 7th continent, engulfed by our rejections. He likes working with paper ruins, broke, because their shapes are often unexpected. As for the contours of the cut object, they redefine its space and offer it a second skin. He dares to hope that unfinished lines leave room for imagination. He imagines himself as a Don Quixote of the line that shims, defending the ink stains against the Mills of perfection from Adobe. It is undoubtedly a little reactionary to say but in a world that bend over voyeurism, it is sometimes pleasant to display a certain opacity, a mystery, a secret. He likes to draw veiled women for example. Without any ideological hindsight. It's simply an aesthetic drive. They make him think of Moebius' science fiction characters or Miyazaki's ghosts. As for beauty, it is usually difficult to draw. It inspires respect. And He is often absent to the world, while being present in his. In the moon, isolated and stunned.
2018
Giclee on Canvas
12 W x 16 H x 1.25 D in
13.75 W x 17.75 H x 1.25 D in
White
White Canvas
Yes
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Arnaud Cayla Xene grows up in a rural town called Brax, near Toulouse. At the age of 6, the school teacher awards him the prize for the “dirtiest notebook in the class”. He feels very honored. He finishes his Master in Plastic Arts, presenting the performance "l'informaticien de l'informe" with Hip-hop Dance and slide projections (Toulouse 2002). He falls in love with Berlin and decides to live there for a while (2003). There he exhibits his art in several exhibitions: Antigravity - solo exhibition / Kulturverein Kinski E.V (Berlin2006) / Mental Zoo - solo exhibition / Milchof E.V (BER2006) / Tiny Tinitus - individual exhibition / Karma Space (BER2007) / In the Wood for Love - solo exhibition / Wald und Flur (BER2007) / You are here - Group exhibition / Eel Pie Club (BER2008). After several unfaithful encounters with Barcelona, he decides to leave Berlin at the end of 2008. Pyramid Prophecies - Solo exhibition / Blank (BER2009) / Working Matter – group exhibition / open-studio (BER2010). Master of Art Therapy – UVIC/AEC (Barcelona 2012). Many nights without sleep and without creating with the Birth of his best creation to date – Adele Cayla Rigaud (BCN2014). From 2016 to 2018 musical programmer and participant in the meetings of the Espai de creació en familia with Laia Llorca Lezcano, Casal de barri Can Rectoret. Nebula(s) – individual exhibition / Casal del Barri Can rectoret (BCN2017). Amalgamas #1 – individual exhibition / cultural center of Vallvidrera, (BCN2018). Take a walk on the green side – group exhibition / Computacenter. (BCN2019). Collage book made with waste "Amalgama", in cooperation with organic supermarkets Veritas (BCN2019) Presentation of the book in Mutuo (BCN2020) with dance performance. Elaboration of the Recycollage© workshops, creating Collages with waste found in nature (BCN 2019-2022). Collaborating with the COP of artistic workshops in prison (#tallersartisticspresons)
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