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10 x 10 in ($40)
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White ($80)
In all seriousness, I've never understood why philosophers—like you, like Jean-Luc Nancy, like Michel Foucault like Gilles Deleuze, like Bruno Latour—and real filmmakers should not be doing this together. It's outrageous that the two spheres do not speak to each other. In Germany, ever since the nineteen-fifties, there was this split, when the intellectuals were on one side and the avant-garde filmmakers were on the other side. And they had nothing to do with each other. The intellectuals made it their business to put down the cinema and especially the avant-garde cinema. I saw it in Austria, where I grew up. I have a story to tell: When I started to make films, I met a philosopher by the name of Walter Köhler. He was the editor of a philosophical journal called Neue Rundschau, which published my first article about a film I made called The Great Ecstasy of Woodcarver Steiner.
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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While Mark M. Whelan's art is primarily portraits and figurative pictures. However, his aim is not to represent a beautiful image of a person or an individual in a futuristic context; rather, it’s an ongoing exploration of the process of how art is created concerning its structure, composition, colour, and technique. Like many figurative painters of his generation, it’s impossible for Whelan to avoid the looming shadows of Francisco Goya, Francis Bacon, Hieronymus Bosch and Lucian Freud, all of which have dominated the figurative world, their paintings both evocative, emotional and full of existential angst and anticipation of an uncertain future. However, Whelan is finding his futuristic path into the light, away from these titans of the art world, his work constantly seeking to go beyond the discipline of representational art and the more gestural expressionism that we are familiar with in the figurative paintings of Bacon.
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