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Open Edition Prints Available:
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12 x 16 in ($190)
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White ($135)
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Minimalism, an artistic movement that emerged during the late 1950s and early 1960s, is defined by its emphasis on simplicity, austerity, and the reduction of design elements to their fundamental forms. Within this context, Kamran Sokhanpardaz's posters serve as exemplary embodiments of minimalist d...
Year Created:
2022
Subject:
Styles:
Medium:
Print, Giclee on Canvas
Rarity:
Open Edition
Size:
12 W x 16 H x 1.25 D in
Size with Frame:
13.75 W x 17.75 H x 1.25 D in
Ready to Hang:
Yes
Frame:
White
Canvas Wrap:
Black Canvas
Packaging:
Ships in a Box
Delivery Cost:
Calculated at checkout.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
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Iranian Poet, Potter, Photographer, Author, Art Historian, Environmental Artist, and Archaeologist. Ph.D. in History of Islamic Turkish Arts (Area Of Study: Great Seljuk Architecture and Ornaments), Turkey M.A. in Art Research, Iran B.A. in Archeology, Iran A.A. in Archeology, Iran Environmental artist, potter, photographer, poet; Kamran SOKHANPARDAZ was born in 1982, in Iran (Darab). In 2001 he entered the Faculty of Art and Architecture in Bu-Ali Sina University, studying for a Bachelor Degree in the field of Archaeology. He completed his studies in 2006. In 2007 he began studies at the M.A. level at the Shahed University, Faculty of Art in the field of Research of Arts. In 2016 he began studies at the doctoral level at the Samsun Ondokuz University, in the field of Turkish-Islamic Arts History. He completed his studies in 2020 and was awarded a doctorate degree. He has done extensive research in the field of architectural bed decorations of the Great Seljuk period, decorations related to İslamic architecture, and traditional arts. He focused on environmental art and Pottery from 2010 to now. He continued to work in nature and conceptual themes from 2010 to now. As an environmental artist, his art projects (warning Project, trees at work Project, stitching of soil Project, Memories of stone Project and etc.) attempts to link the ideas, concepts, and Purity underlying the interconnected nature of life. Throughout his work can be found a deep fascination with the relationships between self and the natural world.
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