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ABOUT THE ARTWORK
Spotlight on grey is a well-deserved tribute. Neutral grey pulls in where we tire of color. It comes in all kinds of subtle hues. Here light grey basks in the environment of greenish-blueish shades, and turns them with its light and shadow effects into a gradation of dark and light somehow...celadon. Sure to still be in the foreground of attention, grey has accomplished its task of keeping harmony in the ranks and making them disappear in the background as the civil servants they are expected to be. Of course, without them, there would only be the black of the void, and that would be too jarring a contrast for grey's delicacy. After all, real and true grey is like a purebred stallion winning the races at all times. This work comes in digital format. As an 'artist original', it is available at the online gallery in a limited edition of 6 that can be ordered in canvas. A certificate of authenticity will be made available if you contact me via this webpage. It can also be ordered as an 'open edition' giclee print on paper on this site. For an NFT version, please consider contacting the webpage.
Original Created:
2022
Subjects:
Materials:
Mediums:
DETAILS AND DIMENSIONS
Print:
Giclee on Fine Art Paper
Size:
8 W x 10 H x 0.1 D in
Size with Frame:
13.25 W x 15.25 H x 1.2 D in
Frame:
White
Ready to Hang:
Yes
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
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Filippo Giansanti
United States
In Rome, Italy, I was drawing and painting since childhood. When I arrived in New York City with $50 in my pocket, I called a few advertising agencies and got my first job working in the Empire State building. I became a sought-after commercial artist working with Geoffrey Hayes, art director of well-known advertising stints such as his famed Absolute Vodka campaign. My collages of New York City in surrealistic postcards were published and sold by the Metropolitan museum in 1979. I translated my love for the Old Masters into watercolor portraits of their works. On the other hand, my love for surrealism expresses my present stage of introspection in digital works of Surrealistic and Abstract-Expressionistic art. I was photographer Francesca Woodman's boyfriend at the time of her death and I introduce my photo of her as I fused it with my work.
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