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Original Cubism Abstract Digital by Otto Laske
Original Cubism Abstract Digital by Otto Laske
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Original Cubism Abstract Digital by Otto Laske
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Original Cubism Abstract Digital by Otto Laske
Original Cubism Abstract Digital by Otto Laske
Original Cubism Abstract Digital by Otto Laske
Original Cubism Abstract Digital by Otto Laske
Original Cubism Abstract Digital by Otto Laske

1

"The Triangle, Limited Edition 1/10" Fine Art Print

Otto Laske, United States

$100

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
9 x 12 in ($100)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Overall, an architecture crafted from color and shape. A dominating yellow triangle shifts the energy flow in the work from a falling to a rising one. It sets the tone together with a slimmer version of itself at the outer left. Together, they are mimicked and supported by darker replicas of themsel...

Year Created:

2020

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

9 W x 12 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

I am an experimental artist working in digital painting, graphics, abstract photography, animation, and textile design. My work is abstract in the sense that I invent shapes, colors, and textures without reference to representational concerns. Working entirely digitally, I consider the boundaries between domains of visual art as entirely permeable. Since I work with a large variety of tools aided by a mastery of controlled random, the outcome of my composition and design processes are unpredictable; their results often straddle the line between established visual-art categories.

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