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View In My Room

VINCENT'S ROOM Print - Limited Edition of 10

M Lawrence

Open Edition Prints Available:
Select a Material

Fine Art Paper

Fine Art Paper

Select a Size

8 x 10 in ($61)

8 x 10 in ($61)

12 x 15 in ($95)

Add a Frame

White ($80)

Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

Metal: Dark Pewter ($150)

No Frame

$141

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ABOUT THE ARTWORK

One very warm late summer day many years ago I took a train to the village of Auvers-sur-Oise, some 20 kilometres northwest of Paris: the village where Vincent van Gogh spent the last two months of his life. I went into a randomly-chosen café/bar for lunch, over which I asked the owner if she could direct me to the place where Vincent died. To my astonishment she pointed to the ceiling, then directed me up two or three narrow flights of stairs to the attic room in which he breathed his last. In the room there was a narrow iron-framed bed with a bare mattress, and a cupboard, a simple wooden chair, and a large easel. Through the skylight in the sloping roof I saw black birds wheeling and diving across the dazzling blue sky. I made some pencil drawings in the room, one of them while sitting on the bed that the owner assured me was the one Vincent died in. This picture of mine is a chopped-up, thrown-in-the-air and reassembled adaptation of one of the drawings I made that day. There’s nothing of van Gogh’s style in this. Nor should there be. He did his thing, I do mine – and mine is constantly changing. The size of the image is 25” x 30”, to which I’ll add a narrow white surround and the title of the picture, which the owner can trim off if he or she wishes. A limited edition of ten prints made on heavyweight photo grade paper with a high quality satin finish – ideal for framing.

DETAILS AND DIMENSIONS
Print:

Giclee on Fine Art Paper

Size:

8 W x 10 H x 0.1 D in

Size with Frame:

13.25 W x 15.25 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

After initially working as a photographer in London and Paris, then a colour printer specialising in experimental imagery, I eventually began to draw and paint. While I’ve made hundreds of paintings, these days I often use digital technology to alter some of them. I also make pen and charcoal drawings on large sheets of paper with a view to enhancing, reshaping and colouring them digitally. Until now I’ve not publicly displayed many of these, imagining that digital images might not be considered ‘true art’. However, I have at last come to terms with this – ‘art’ is ever-changing, ever-developing, after all – and am now showing (and offering for sale in print form) some of these here on Saatchi Art.

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