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APRICOT LEAF S3 Print

Santay Qiu

China

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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10 x 10 in ($80)

10 x 10 in ($80)

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Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

Metal: Dark Pewter ($150)

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$80

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The drawing of the apricot leaf, with its delicate veins etched in shades of green and blue, captures the quiet harmony of nature. Green, the dominant color, symbolizes growth, renewal, and the steady rhythm of life. It speaks to the vitality of the natural world, the continuous cycle of birth, blos...

Year Created:

2024

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Ink painter and cultural relic painting restorer. I have been engaged in mounting and restoring ancient Chinese paintings and calligraphy for eight years and have participated in museum restoration projects many times. My paintings are known for landscapes and flowers and birds, and each one strives to capture the beauty of nature. In calligraphy, I am good at official script and regular script, with strong brushstrokes and rigorous structure. My calligraphy and painting works have been exhibited in various large and small exhibitions, showing my profound skills in the field of oriental aesthetics. In addition to artistic creation, I also put this love and talent into cultural relic restoration. In the past eight years, I have been fortunate to participate in the restoration projects of many museums, touching and restoring many precious ancients with my own hands. In this process, I not only mastered the exquisite restoration skills, but also deeply understood the importance and urgency of cultural relic protection. I know that every cultural relic is a witness to history and a heritage of culture. Therefore, I always maintain awe in my painting restoration work, and strive to restore the original appearance of the cultural relics so that they can continue to tell the stories of the past.

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