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Original Figurative People Drawing by Robert Stollar
Original Figurative People Drawing by Robert Stollar
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Original Figurative People Drawing by Robert Stollar
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Original Figurative People Drawing by Robert Stollar
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Original Figurative People Drawing by Robert Stollar
Original Figurative People Drawing by Robert Stollar
Original Figurative People Drawing by Robert Stollar
Original Figurative People Drawing by Robert Stollar
Original Figurative People Drawing by Robert Stollar

5

"Feeling Good" Fine Art Print

Robert Stollar, Australia

$129

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
14 x 21 in ($129)
Select a Canvas Wrap
Black Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Black Chalk drawing on Fabriano Accademia paper

Year Created:

2015

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

14 W x 21 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Figurative sculptor finding the consciousness and aliveness ever present in all beings and things entangled in the human form. Tracing the human body, that which comes forth is shaped and re-shaped a few times. What might be a fleeting pleasurable assembly of lines in a drawing gets recast and reshaped in translating the 2 dimensional drawing into a 3 dimensional clay model. Suddenly the back of the artwork is just as important as the front. And then yet another transformation takes place when the clay model is carved in stone. And just as the clay model carried the emerging unknown a step further so did the stone. And with every change of material the incoming medium imposes it’s own unique advantages and restrictions. No matter how satisfying the artwork might seem in clay, the stone recasts the ideas and presents yet another expression.

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Curator - India Balyejusa

India Balyejusa, Senior Curator