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ISHMAEL Print

Fred Holle

United States

Open Edition Prints Available:
Select a Material

Canvas

Canvas

Select a Size

12 x 16 in ($128)

12 x 16 in ($128)

Select a Canvas Wrap

Black Canvas

White Canvas

Black Canvas

Add a Frame

No Frame

White ($135)

Black ($135)

No Frame

$128

714 Views

4

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

ISHMAEL is a charcoal drawing, heighted with white. It was done from imagination subconsciously utilizing data gained from extensive life drawing experiences.

Year Created:

1970

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

12 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

I'm a figural artist of "Romantic" persuasion.  I'm also a painter/printmaker who's aware that drawing is the genesis of all of my work.  My primary "vehicle" of expression over the years has been an on-going Series of paintings and prints titled "GNOMEGAME". It's guiding CONCEPT relates to the revelation and personification of universal human attitudes ranging from foibles to the darker edges of human nature. My awareness of the particular "attitude" being manifested on the picture plane usually crystallizes as the work unfolds. That is, I don't preconceive.  Perhaps this approach is the result of my early years as an Abstract-Expressionist. I have the greatest faith in intuition and the truth it generates. As a teacher, I consider drawing to be an indispensable discipline for visual artists of all persuasions, be they academic, classical, abstractionist and even the non-objective artist. The best and limitless source of ideas and inspiration is nature itself. The danger for visual artists is that they begin to echo themselves with each work becoming more shallow and boring than the previous effort. Nature, in whatever form, the figure, still-life or landscape, are sources which replenish, refresh and motivate one's work.

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