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'Jump in di line, rock your body in time' Print

Philip Leister

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ABOUT THE ARTWORK

Shake, shake, shake, Senora, shake your body line Shake, shake, shake, Senora, shake it all di time Work, work, work, Senora, work your body line Work, work, work, Senora, work it all di time My girl's name is Senora I tell you friends, I adore her And when she dances, oh, brother She's a hurricane in all kinds of weather Jump in di line, rock your body in time (Okay, I believe you) Jump in di line, rock your body in time (Okay, I believe you) Jump in di line, rock your body in time (Okay, I believe you) Jump in di line, rock your body in time (Whoa) Shake, shake, shake, Senora, shake your body line, whoa Shake, shake, shake, Senora, shake it all di time Work, work, work, Senora, work your body line Work, work, work, Senora, work it all di time You can talk about cha-cha Tango, waltz or di rumba Senora's dance has no title You jump in the saddle Hold on to di bridle Jump in di line, rock your body in time (Okay, I believe you) Jump in di line, rock your body in time (Rock your body, child) Jump in di line, rock your body in time (Somebody, help me) Jump in di line, rock your body in time (Whoa) Shake, shake, shake, Senora, shake your body line Shake, shake, shake, Senora, shake it all di time, whoa Work, work, work, Senora, work your body line, yep Work, work, work, Senora, work it all di time Senora, she's a sensation The reason for aviation And fellas, you got to watch it When she wind up she bottom she go like a rocket Jump in di line, rock your body in time (Okay, I believe you) Jump in di line, rock your body in time (Hoist those skirts a little higher) Jump in di line, rock your body in time (Up di chimney) Jump in di line, rock your body in time (Whoa-oh) Yes sir Shake, shake, shake, Senora Shake your body line Work, work, work, Senora Work it all di time Dance, dance, dance, Senora Dance it all di time Work, work, work, Senora Work it all di time Senora dances calypso Left to right is di tempo And when she gets di sensation She go up in di air Come down in slow motion Jump in di line, rock your body in time (Okay, I believe you) Jump in di line, rock your body in time (Somebody, help me) Jump in di line, rock your body in time (Okay, I believe you) Jump in di line, rock your body in time (Whoa) Shake, shake, shake, Senora, shake your body line Shake, shake, shake, Senora, shake it all di time Work, work, work, Senora ‘Jump in the Line (Shake Señora)’ by Harry Belafonte Songwriters: Raymond Bell / Ralph Deleon / Gabriel Oller / Steve Samuel "Jump in the Line (Shake, Señora)" is a calypso song sung by Harry Belafonte and composed by Lord Kitchener. Woody Herman and his Third Herd recorded Kitchener's song in 1952 for Mars Records; Herman's band recorded it live that same year with the title "Jump in Line." Lord Invader released a cover of the song on the Folkways Label in 1955, titled "Labor Day (Jump in the Line)". His rendition reached mento star Lord Flea, who in turn recorded a version based on Lord Invader's interpretation. It was released on August 1, 1958, by Capitol Records. Flea's version inspired Harry Belafonte, who released his own take on November 17, 1961 (credited to his pseudonym Raymond Bell on the disc label). It was included on the album Jump Up Calypso, and was later recorded by Lord Fly and Joseph Spence in 1958. Perhaps its most memorable appearance is in the 1988 Tim Burton comedy horror film Beetlejuice during the climax. This occurrence would later resurface in the Broadway musical stage adaptation in 2019 as the finale. In 1998, the song was covered by American swing band the Cherry Poppin' Daddies for the soundtrack to David Zucker's comedy film BASEketball. A decade later, the song was performed by Samuel E. Wright, Kevin Michael Richardson, Rob Paulsen, Jim Cummings, Alvin Chea, Oren Waters, Rick Logan and Chris Garcia in The Little Mermaid: Ariel's Beginning. The song was sampled by Pitbull as "Shake Señora" off the 2011 album Planet Pit. That same year, a 2004 recording of the song by Karl Zero and The Wailers (released on Zero's album, HiFi Calypso) was used in Diary of a Wimpy Kid: Rodrick Rules. The track appears in Just Dance 2 from its original artist, when it later became DLC in Just Dance 3, the track was covered by The Sunlight Shakers. Also this song was featured in Uncle Dane's return video Impractical Engineering. The song inspired the 1962 Gary U.S. Bonds hit single "Twist, Twist Senora". In 2009, in season 8 of Dancing with the Stars, Steve Wozniak and Karina Smirnoff danced a Samba with this song, that got a 10 out of 30, the second lowest score in the history of the show. It was the only dance that got 3s or less and was not the celebrity's final dance. Other celebrities and professionals danced a Samba to this song in other seasons, such as Ricki Lake in 2011 who got a 30. Harry Belafonte (born Harold George Bellanfanti Jr.; March 1, 1927) is a Jamaican-American singer, songwriter, activist, and actor. One of the most successful Jamaican-American pop stars in history, he was dubbed the "King of Calypso" for popularizing the Trinidadian Caribbean musical style with an international audience in the 1950s. His breakthrough album Calypso (1956) was the first million-selling LP by a single artist. Belafonte is known for his recording of "The Banana Boat Song", with its signature lyric "Day-O". He has recorded and performed in many genres, including blues, folk, gospel, show tunes, and American standards. He has also starred in several films, including Otto Preminger's hit musical Carmen Jones (1954), Island in the Sun (1957), and Robert Wise's Odds Against Tomorrow (1959). Belafonte was an early supporter of the Civil Rights Movement in the 1950s and 1960s and was a confidant of Martin Luther King Jr.. Throughout his career, he has been an advocate for political and humanitarian causes, such as the Anti-Apartheid Movement and USA for Africa. Since 1987, he has been a UNICEF Goodwill Ambassador. He was a vocal critic of the policies of the George W. Bush presidential administrations. Belafonte acts as the American Civil Liberties Union celebrity ambassador for juvenile justice issues. Belafonte has won three Grammy Awards (including a Grammy Lifetime Achievement Award), an Emmy Award, and a Tony Award. In 1989, he received the Kennedy Center Honors. He was awarded the National Medal of Arts in 1994. In 2014, he received the Jean Hersholt Humanitarian Award at the Academy's 6th Annual Governors Awards. Source: Wikipedia

DETAILS AND DIMENSIONS
Print:

Giclee on Canvas

Size:

16 W x 20 H x 1.25 D in

Size with Frame:

17.75 W x 21.75 H x 1.25 D in

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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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