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Kalypso ΚΡΥΠΤΩ Print
South Africa
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Fine Art Paper
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8 x 12 in ($40)
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White ($80)
About The Artwork
This drawing forms part of a set of drawings created while producing a series of sculptural assemblages titled "A Catalogue of Shapes". The aim of this series was to depict the ancient Greek poet Homer not as a person, but as a compositional system through the creation a series of composite object portraits of twelve characters drawn from the Iliad and the Odyssey. Kalypso ΚΡΥΠΤΩ is based on the character Calypso, the goddess who rescues Odysseus when he is thrown by a tempest onto her island of Ogygia and attempts to separate him from the world in the Odyssey. The function of the drawing is to establish such compositional aspects as proportion, colour, pattern, etc. of the various found and fabricated elements I plan on using in the sculpture.
Details & Dimensions
Print:Giclee on Fine Art Paper
Size:8 W x 12 H x 0.1 D in
Size with Frame:13.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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South Africa
The only artist on the planet who explores the compositional methods of ancient Greek poets through the medium of contemporary sculptural assemblage. Unique, obscure, and totally off-trend. In literary translation the content of oral-formulaic poetry is often more effectively conveyed than its form. The sculptural assemblages on this page serve as a visualization or ‘aesthetic translation’ of the formal artistry of two ancient Greek epics – Iliad and the Odyssey. The result is a visual exploration of correlations between what the poems say and how they say it. Each individual sculpture functions as a personification of a character from the Homeric epics. Each set of sculptures represents a ‘composite object portrait’ that depicts Homer not as a person, but as a continually adaptive constructive system.
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