23 Views
2
View In My Room
Luke Sonnenburg
Australia
Fine Art Paper
10 x 8 in ($40)
White ($80)
23 Views
2
Whip a trail across liquid space and capture it its instantiation. Shadowplay may be of its kin; points of logical origin writhe in contrast that is not of conflict but of perspectives of the emanation of form in flow or vice versa: In flow creating form. Fly or glide, may rhythm capture the eye. I would like to say that my methods are intentional, but their origins may be incidental. In this case an incidental shadow from a stray beard hair that fell upon my table caught my eye...Surely, the backbone that could cast shadows at differing vectors may have the algorhithm of line weight field drawings cast upon it! Thus, this image is the manifestation from this event. Yes, this is my interpretation of the shadows of a beard hair (not so romantic now, really...) In the background of my thinking for this piece, and as an element of my general practice of refinement and extension of style, I had been experimenting with the idea of more minimalist works such as can be observed in ´Offset Gradient with Hollow Space Focal Paradox Meditation Set´ (Soon to be uplaoaded.). In my early work from my late teens and in many of the earlier ´Shattergration´ pieces I frequently just tried to cram in as much as I could - a test of my penwork. This was often interesting, but I felt it somewhat immature. It was a bit like if you just jam in more, then eventually the eye will just submit and you say wow, because it is difficult to process all at once. This is great, but I feel like it is a little immature. A bit like a young gun with a lead guitar. So basically, I wanted to let the linear field and line weight style become refined with less showing more. A bit like those songs where the orchestration is not technical per se, but is compelling through omission of showiness. I am not sure that I exactly achieved the result here, as there is still a reasonable amount of detail, but the detail is from the execution of the ´algorithm´ of the style of abstraction, rather than from a complicated arrangement. As an example of this contrast you could look at ´Shattergration: Web Wave Collison Matrix Manifestation (Soon to be uploaded...).
2018
Giclee on Fine Art Paper
10 W x 8 H x 0.1 D in
15.25 W x 13.25 H x 1.2 D in
White
Yes
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Australia
16 years dormant; In my new residence at the time of Santiago de Chile; I found myself lost and confused without work yet with time on my hands. By chance, I stumbled across a set of archival ink pens. My thoughts are still not clear as to exactly what compelled me to buy them beyond the comparatively cheap price against that of my homeland Australia. At my parents in laws´ house, somewhat on a whim, I decided to draw a few lines to compare some pens sizes… I had trained to be a research psychologist, but couldn’t see the wood for the trees (or the deadline for the real matter) and my thesis had been a disaster. At a loss, drawing has given me the outlet for the obsessive diligence to method and detail that I had hoped to express in a research career. Failure can provide new freedom, and failure can give you chains: May the freedom be to pursue my art, and the chains of perseveration to a tendency of rigour drive my endeavours forwards! Each piece is painstaking and long in generation. Each piece in some way incorporates an extension of the methodology of forms of my earlier pieces: a novel base design incorporating repetition, iteration, and extension. All of my currently presented works are in simple black and white due to a desire to master the fundamental variables of my methodology. A haste to colour may fail the future by virtue of an overwhelming interaction of untamed variables that could cause a failure to reign in the building blocks of this generational form. Austere yet expressive, my assertion is that these works will complement rather than overcome a room that they may adorn. May you find them interesting in themselves and contributing to your beloved and important places of living!
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