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Drawing/Painting 30x30 cm / 11,81x11,81x1,57 in. on linen canvas 3D. * Can be purchased in series of 4 canvases. See my portfolio. "Organic Square 3D n°4" is part of a series of 4 works on linen canvases 3D and is an abstract and minimalist drawing/painting representing the organic language of a black masse considered like a nature living form. It's an inner vision from what I perceive like vessels, tissues and organs of a living being. "Organic Square 3D n°4" fait parti d'une série de 4 œuvres sur toiles en lin 3D et est un dessin/peinture abstrait et minimaliste représentant le langage organique d'une masse noire considérée comme une forme vivante de la nature. C'est une vision intérieure de ce que je perçois comme les vaisseaux, les tissus et les organes d'un être vivant.
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
The work of Marijah Bac Cam questions the Memory of the Living through the Languages of the Feminine Principle (creative principle of Nature) by means of drawing, painting and increasingly photography and video. What does this chaos of fullness and emptiness mean, enhanced with dots, curves, golden wefts and gestural writing? In the artist's painting we perceive a Living being organized before our eyes, starting with the diffusion of black ink. These dark masses mingle with another color to symbolize the different elements, air, water, fire, earth, ether. Suddenly an organic mesh forms on the surface, connected to the misty depth. It is a question of reversal, as if to lead our gaze towards an inner world, that of the organs, tissues, vessels of an unrepresented body. These drawings express more sensibly an intuitive word in a vegetal and vibratory atmosphere that are our buried memories. They are the representation of the original past in a form that is no longer mental but metaphorical. Graffiti sometimes float here and there, like a palimpsest as if to inscribe a forgotten verbal dimension and question the meaning of forms. Her work evokes images that are almost figurative but difficult to identify. It's a question of everyone's point of view, seen from the sky or underwater, in macro or even in a wide shot. This collective memory seems to define and tell terrestrial and extra-terrestrial landscapes. Does Nature have a universal language that hides in our memory?
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