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Canvas
21 x 14 in ($129)
Black Canvas
White ($150)
32 Views
1
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Ouderkerk aan de Amstel – 18-07-21 Near the ArenA Last Saturday I went to the Heineken Music Hall near the Johan Cruijff ArenA for my second vaccination shot. On the other side of the A2 there is Ouderkerk aan de Amstel, a village to the south of Amsterdam. After teaching art class I had some spare time and thought why not pay it a visit? Not exactly on a whim though. The Dalai Lama’s advice for a happy life is to regularly visit a place you have never been. That one pops up in my mind quite regularly. Such a village often is passed by car all too quickly and I am always on the look for interesting motifs. In other words, no particular reason to visit it and therefor a good reason to do so. Kerkbrug Ouderkerk is flocked by tourists nowadays. I could tell that right from the start but still an interesting place to visit. The Kerkbrug and the canal in front of it drew my attention as a theme. Probably a previous sketch of Rotterdam was on my mind but I was not satisfied after a first session. It needed more and so I worked out much of the shadings, reflections and tree tops a day later. On some spots I kept a rough edge though, like in the house in the back at the left. All-in all it became an impressionist view rather than realistic, I think. Contrast in Structures What attracted me further was the compact view on the village entrance consisting of roundish tree structures alternating straight roof top lines. The bridge plays the leading role though. Its diagonals lead the viewer straight into the dense myriad of suggested details in the middle of the drawing. The water reflections serve as some kind of prelude for what lies above. Besides that, I find these merky and deep waters uncannily attractive. On the other hand they also bring tranquility and beauty to the scene. Graphite pencil drawing (Sakura 0.5 mm, 4B) on Winsor & Newton Bristol board paper (21 x 14.8 x 0.1 cm – A5 format) Artist: Corné Akkers
2021
Giclee on Canvas
21 W x 14 H x 1.25 D in
22.75 W x 15.75 H x 1.25 D in
White
Black Canvas
Yes
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Netherlands
1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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