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16
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Canvas
16 x 12 in ($95)
Black Canvas
White ($135)
179 Views
16
Featured in the Catalog
Artist featured in a collection
Puiflijk – 27-11-20 My Niece And it so happens my niece Lilian turned out to be a great photographer. Lo and behold, artistry runs deep in the veins of our family and I asked her to use a beautiful photo she took of a treeline in Puiflijk, near to where she lives. Direct Cause Direct cause to draw this one, next to the photo, is a discussion I had with a friend of mine (Piet-Jan) about the meaning of ‘The Star and Crescent’, being a symbol in islamic traditions, only for us to find out the invention of the very symbol stretches back another 1000 years prior to islam. Something powerful is happening here for sure. Anyway, boom! There it was, Lilian’s photo arrived in the mid of our discussion and there you have it: the Universe intervened. Royal Estate ‘De Horsten’ When I looked at the picture a previous graphite pencil drawing Royal Estate ‘De Horsten’ – 23-10-15 came to mind instantly and that is a blessing and a curse at the same time. The rendering of such a piece also can get in the way and I wanted to convey some other feeling in a different style. So I tried to dissociate myself from it and feel what I wanted to say 5 years later, on treelines but also the crescent of the moon. Flow and Checkered Patterns Albeit the picture capturing a great moment it was a bit blurry. From my own experience I know tree branches and trunks easily can be rendered too sharp and thus do not correspond with the way the human view works. When you for example look at a tree, you do not see the individual brances clearly and vice versa. The solution was to make circular patterns and a trick I learned when I was young: checkered patterns to get some subtle contrasts. Hence, the flow that swirls through the sky and clearly demonstrates the feel we all can have looking at the crescent. Graphite pencil drawing (Pentel 0.5 mm, 3B) on Talens Bristol paper (21 x 29.7 x 0.1 cm - A4 format) Artist: Corné Akkers
2020
Giclee on Canvas
16 W x 12 H x 1.25 D in
17.75 W x 13.75 H x 1.25 D in
White
Black Canvas
Yes
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Netherlands
1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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