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Fine Art Paper
6 x 12 in ($40)
White ($80)
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To contemplate the work of Samuel Rodriguez entitled "Red Line" is to immerse oneself in a universe of color and textures that transport us to the depths of our soul. Each stroke, each line, each tonality is a prisoner of the canvas that struggles to free itself and expand towards infinity. An immutable truth is hidden in this canvas: each nuance is an emotion in itself, an expression of the human spirit that glides over the surface with a disconcerting harmony. Black, red, cyan, green and purple intertwine in a cosmic dance, defying our expectations and elevating our perception of the world. But this work is not only a window into abstract beauty, it is an invitation to explore the confines of our own existence. Like contemplating a landscape, we are tempted to look beyond the limits of the canvas, to search for a hidden truth in the folds and mountainous textures. In short, "Red Line" is a pictorial revelation that reminds us of the capacity of art to free our minds and expand our horizons. It is a masterpiece that deserves to be contemplated with attention and reverence, as a window to the most sublime of the human being." Translated with (free version)
Giclee on Fine Art Paper
6 W x 12 H x 0.1 D in
11.25 W x 17.25 H x 1.2 D in
White
Yes
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Art prints are packaged and shipped by our printing partner.
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Colombia
Dreams in Color The essence of Samuel Rodriguez's work is in the daring freedom within which he moves and his right to explore everything in the constant search for his own expressive language. This attitude is above all a fun, disconnected and essential possibility for him to ignore tradition and move forward guided by his intuition. It is at this point that his work faces true plastic concepts as it is totally governed by shapes, lines, textures and colors, trying to build its own and coherent order from them. Samuel's passion for saturated color is evident in his work. Color contrasts in themselves, vital palettes that do not admit any presence of the neutral, transport us to spaces where all chromatic expression is exacerbated and full. Color is the protagonist and does not admit more regulations than those dictated by emotion. To the force of color is added the anarchy of the brushstroke, strokes loaded with matter surround us and force us to follow their trajectories, to finally find ourselves immersed in a world of liquid and solid forms that excite and disconcert. Claudia Rojas
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