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Wang Yun´s intercultural in-between-ness and as-well-as somehow reflects a kind of connectedness across real or only imagined borders. All and everyone might be related as well as intertwined – a higher connectedness that starts with the entangled the nature of quantum particles, concerns the human beings, and finally encompasses our as well as nature´s relationship with the whole universe. Yun Wang's Asian roots are still clearly noticeable in his earlier work in particular, although a resolute orientation towards postmodern western forms of expression leads to idiosyncratic transformations. The traditional Chinese ink drawing and landscape painting with their characteristic application of paint, which oscillates between strong, rich clouds of color and fine, transparent nuances, on the one hand, and the ascetic art of calligraphy on the other, offer permanent inspiration that is still reflected in Yun Wang's painting today . Also Far Eastern ideas, the idea that all living beings on earth belong together closely, the idea that every plant or even a stone has a soul, the ideal of a harmonious connection between man and the world, a harmony with nature (and the spirits that populate it ), Yun Wang wants to see embodied in her work. The ideal universe is often the motif and title of her work.
Giclee on Canvas
12 W x 16 H x 1.25 D in
13.75 W x 17.75 H x 1.25 D in
White
Black Canvas
Yes
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