58 Views
1
View In My Room
Fine Art Paper
8 x 12 in ($40)
White ($80)
58 Views
1
Showed at the The Other Art Fair
Artist featured in a collection
"Sirvan II" is an oil pastel on paper inspired by a scene I saw from my last flat in London. I have already made a similar artwork when I was living in that house, in 2019, during my last days in a city that I love, and it is always interesting for an artist to go over the same subject after several years. If in the first artwork the woman was only a small portion of the drawing, in this second version the focus is mainly on her, they way she stands, the way she holds the coffee cup, her outfit. Being a feminist I like to celebrate all kind of beauty and to focus on detail of everyday life. The title comes from "Sirvan", the shop I would see from my studio flat's windows on Kingsland High Street. I loved to live there as sitting at my window was almost like to be on the street watching people but with the added bonus of not being seen. The dream! This is only one of many artworks dedicated to that wonderful corner of East London, booming with life and colour and so many amazing human beings! I hope this artwork will transport you there, watching amazing people passing by. This artwork is made with Sennelier oil pastels, a great brand with a rich history: these pastels were in fact invented for Pablo Picasso, and although he is not among my favourite artists, it is nice to think about walking in the steps of such famous artists, when using them. I like to think as my art more related to artists such as Andy Warhol for the use of colour and focus on everyday life objects, and Edward Hopper, for the way I look at people in an urban context. Agerola, 26th August 2021
2021
Giclee on Fine Art Paper
8 W x 12 H x 0.1 D in
13.25 W x 17.25 H x 1.2 D in
White
Yes
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"Mary Cinque is an Italian painter, graphic designer and blogger working and living in the Amalfi Coast. Her works – joyful, bright, colourful painting and drawings – are inspired by this place, as well as her heritage, background and travels. Mary spent her childhood between Italy and Ethiopia. Before moving back to the Amalfi Coast in 2019, she has lived in Naples and Milan, where she attended academies of fine art; and Philadelphia, New York and London where she improved her artistic skills and style. Alongside making art, she works as an illustrator and graphic designer, collaborating with selected brands, working on artistic commissions such as illustrations, labels and showroom design. Cinque’s art develops themes connected with what makes us essentially humans: our habitat – the buildings, the streets, the cities – our bodies, what we eat and how we socialise. Art, in Mary’s paintings, becomes a powerful instrument of philosophical investigation which reveals who we really are by questioning our habits, observing those characteristic traits we share as a species, often without realising it. The artist looks at human beings from a different perspective, making interesting and significant what can seem normal or banal to us in our everyday life: the buildings that populate our cities, the streets we walk, people sitting across our table at a café, strangers on the bus. In this nutshell interview by Giulia Corti, Mary Cinque explores some of the most relevant aspects of her art and reflects on how it offers an intriguing and informative perspective about the way we live as human animals. Mary, your art is colourful and vivid, it mixes human and urban subjects by making use of various techniques (oil painting; pastel drawing, markers, “digital” drawing, print-making etc.) and materials (canvasses, magazine pages, an I-pad screen). How do you choose the means with which to develop an artwork and how do the different materials and techniques influence what you want to convey, if they do? Different subjects call for different techniques. Buildings and urbanscape are always acrylic on canvas, while I prefer to depict people using a quicker, immediate approach, like the one that I can get with markers and oil pastels or digital painting. By looking at the main themes of your art, it is possible to notice what seems to be a tension. On one hand, you portrayed the stillness and artificiality of urban landscapes and buildings (e.g.
Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles, London
Artist featured by Saatchi Art in a collection
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