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Slava Ukraini - 15-02-23 Print

Corné Akkers

Netherlands

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About The Artwork

Sad Times This graphite pencil drawing ‘Slava Ukraini – 15-02-23’ is a depiction of The Motherland Monument in Kyiv, Ukraine. Since the Russo-Ukrainian War became full-blown last year a lot of things happened. In the first half of 2023. I made a couple of works with that theme but they were more gentle than this one. Back then, before the 24th of February, I secretly hoped Putin wouldn’t be pushing through his invasion eventually. Little did we know of gross atrocities committed and the monstruous scale of warfare. It seems to take on proportions absurdically medieval. In the meantime, I was doing my regular female forms, watching front news on youtube on a daily basis. I feel almost guilty, munching my diner away behind a screen, watching daily topics. Maybe we all do, here in the free West. How about you? Let’s Get Political Time to make a stand. I handled political and social-cultural theme in the past. Such can be seen in ‘The Restoration of Bettie Page (2020)’ and ‘The Proud Brothers – 04-02-20’. There aren’t many drawings I made for which I already had an sound idea. This one is different though. I have an oil painting of Melina Noëlle upcoming. I included a painting of aforemeant monument in that one. Hence, this drawing is not a prestudy but more a precursor of that painting. Anyway, time to get political again. Of course we cannot stand the violation of human rights on massive scale, right? But what can we do? Then again, I am an international lawyer and an artist. Hey, what goes for the pen is mightier than the sword also counts for a pencil. At least there is something I can do, what I must do. Graphite pencil (Faber Castell Pitt Graphite Matt pencil 14B) drawing Talens Bristol paper (21 x 29.7 x 0.1 cm) Artist: Corné Akkers

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:8 W x 12 H x 0.1 D in

Size with Frame:13.25 W x 17.25 H x 1.2 D in

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1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.

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