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Original Folk People Drawing by Hannah Taggart
Original Folk People Drawing by Hannah Taggart
small-01
Original Folk People Drawing by Hannah Taggart
small-02
Original Folk People Drawing by Hannah Taggart
Original Folk People Drawing by Hannah Taggart
Original Folk People Drawing by Hannah Taggart
Original Folk People Drawing by Hannah Taggart
Original Folk People Drawing by Hannah Taggart

1

"Story Board for animation 'Heirlooms'" Fine Art Print

Hannah Taggart, United Kingdom

$40

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
12 x 8 in ($40)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Story board ideas for the the final scene of 'Heirlooms'. Twins Nixie and Faye are disturbed by something while they are sleeping. They wake up to discover the ghost of Peg Prowler brushing her hair at their dressing table. Nixie and Faye get out of bed and start brushing Peg Prowler's hair. In a...

Year Created:

2019

Subject:
Styles:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

12 W x 8 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Currently creating a stop motion ghost story 'Heirlooms'. The voyeuristic aspect of my work may stem from a childhood wish to gain access to restricted spaces (such as a hidden room in a dollhouse). My work involves the frustration of being prevented from fulfilling wishes, by only allowing glimpses of these inaccessible worlds. By creating intricate, small worlds I am suggesting the desire to retreat from something threatening like society. Yet I am also interested in the contradictions and conflict this inspires; it appears that by reducing the world to a small and repetitious environment you create a sense of safety, but perhaps all you are doing is internalising the initial threat. Images such as rats eating from dining room tables not only evoke feelings of disgust but of childish play. I am perhaps attempting to control fragile memories and perceptions of childhood built on cardboard foundations. The structures I create are deliberately unsecure, unsound, in order to summon up an atmosphere of unease, this is a fragile world that could topple down at any moment. Cardboard is also interesting to work with, as it is often viewed as a 'poor' material, only salvaged by the dispossessed.

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