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Wreath of Life Print

Anashrita Henckel

United Arab Emirates

Open Edition Prints Available:
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Fine Art Paper

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10 x 8 in (£37)

10 x 8 in (£37)

15 x 12 in (£61)

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Metal: Light Pewter (£113)

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Sparrows here in Dubai who have second and third nestlings run the risk of losing them as the spring turns into scorching summer. I have found several of these perfectly preserved specimens over the years here and I keep them as anatomical reference and artistic inspiration. The ones I don't keep s...

Year Created:

2020

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 8 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

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Need more information?

Anashrita Henckel

Anashrita Henckel

United Arab Emirates

The order and perfection of geometry captured me from the moment my father put a compass in my hand, at the age of 4. Geometry often appears in my art and for me, it can be a symbol of order, structure and rules. To juxtapose fragments of perfectly formed geometry beside intuitive mark making, abstract swirls of colour or photo layered images and drawings fills me with a sense of satisfaction as it somehow mirrors our lives - a multiplicity of seemingly random events that may have some order beneath. Often, my artwork has a deeper symbolic narrative that allows it to almost be read and understood on a variety of levels. Certain geometric shapes and designs can be seen to have symbolic meaning in Islamic art, I sometimes use this to build in a deeper layer of symbolism into my work. Having lived the first part of my life in the diverse island of Trinidad, in the caribbean, I am drawn to vivid colours and textures, perhaps somehow harking back to the colours of carnival. Yet my personal studies into Islamic, Euclidean and non Euclidean geometry have opened up a world of psychological and spiritual symbology that has allowed me to explore bigger themes such as order and chaos; predetermination and freedom; intuition and reason.

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