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Archival-grade Materials
Fade-resistant Inks
Professionally Printed
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Living Stone Wall explores the point at which an inanimate structure begins to suggest organic life. Layers of ink form a dense configuration that can be read as stone, vegetation, cellular growth or an imagined landscape. No single interpretation becomes completely stable. The drawing develops th...
Year Created:
2021
Subject:
Styles:
Medium:
Print, Giclee on Canvas
Rarity:
Open Edition
Size:
12 W x 16 H x 1.25 D in
Ready to Hang:
Yes
Frame:
Not Framed
Canvas Wrap:
Black Canvas
Packaging:
Ships in a Box
Delivery Cost:
Calculated at checkout.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
Need more information?
Contact us.Need more information?
Contact us.My work brings together two artistic traditions that have shaped my life: European modernism and the art of the Chinese brush. After early experiments with Expressionism and Surrealism, my years of study in China fundamentally changed the way I understood painting. Ink, paper and calligraphy gradually became central to my practice.
Today I work primarily with ink and mixed media on paper, moving between gestural abstraction, contemporary calligraphy and surreal, sometimes landscape-like forms. I am interested in the moment when control gives way to spontaneity: a brushstroke cannot be taken back, and an accidental mark may become the starting point for an entire composition.
Empty space is as important to me as the painted form. Rather than filling the surface, I try to create tension between gesture and stillness, density and openness, intention and chance. My background in Chinese painting and calligraphy remains present in this approach, but I do not attempt to reproduce traditional Asian art. I use its principles as part of a contemporary visual language shaped equally by my European experience.
Ultimately, I want the paintings to remain open. They may suggest landscapes, figures, dreams or fragments of memory, but I prefer not to determine what the viewer must see. The work begins with my gesture; its meaning is completed by the person looking at it.
Recognition:
Artist featured in a collection
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