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Canvas
16 x 16 in ($140)
Black Canvas
White ($150)
254 Views
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Artist featured in a collection
Yurii Yermolenko, Cloacal Kiss, (ultraviolet lighting), 2019, (GOLDILOCKS ZONE project), fluorescent acrylic on vinyl, 30x30 cm. Cock a doodle do! What is my dame to do? Till master's found his fiddlingstick, She'll dance without her shoe. Cock a doodle do! My dame has found her shoe, And master's found his fiddlingstick, Sing cock a doodle do! Cock a doodle do! My dame will dance with you, While master fiddles his fiddlingstick, And knows not what to do. A rooster, also known as a cockerel or cock, is a male gallinaceous bird, with cockerel being younger and rooster being an adult male chicken (Gallus gallus domesticus). The term "rooster" originated in the United States as a puritan euphemism to avoid the sexual connotation of the original English "cock", and is widely used throughout North America. Ironically, cocks do not have a penis —sperm transfer occurs by cloacal contact between the male and female, in a maneuver known as the “cloacal kiss”. "Roosting" is the action of perching aloft to sleep at day, which is done by both sexes. The rooster is polygamous, but cannot guard several nests of eggs at once. He guards the general area where his hens are nesting, and attacks other roosters that enter his territory. During the daytime, a rooster often sits on a high perch, usually 0.9 to 1.5 m (3 to 5 feet) off the ground, to serve as a lookout for his group (hence the term "rooster"). He sounds a distinctive alarm call if predators are nearby and will frequently crow to assert his territory. Roosters almost always start crowing before four months of age. Although it is possible for a hen to crow as well, crowing (together with hackles development) is one of the clearest signs of being a rooster. The rooster is often portrayed as crowing at the break of dawn ("cock-a-doodle-doo"). However, while many roosters crow shortly after waking up, this idea is not exactly true. A rooster can and will crow at any time of the day. Some roosters are especially vociferous, crowing almost constantly, while others only crow a few times a day. These differences are dependent both upon the rooster's breed and individual personality. A rooster can often be seen sitting on fence posts or other objects, where he crows to proclaim his territory. Roosters have several other calls as well, and can cluck, similar to the hen. Roosters occasionally make a patterned series of clucks to attract hens to a source of food, the same way a mother hen does for her chicks. Rooster crowing contests are a traditional sport in several countries, such as Germany, the Netherlands, Belgium, the United States, Indonesia and Japan. The oldest contests are held with longcrowers. Depending on the breed, either the duration of the crowing or the times the rooster crows within a certain time is measured. The cockerel "waltz", when the cockerel struts in a half circle with one wing extended down, is an aggressive approach signifying to females his dominance, and usually, the female will submit by running or moving away from the cockerel in acknowledgement. On rare occasions, the hen will attempt to fight the cockerel for dominance. Once dominance is established, the cockerel will rarely waltz again. When other cockerels are in the hen yard, this waltz is used significantly more and most cockerels will waltz together if dominance has not been established; either one will back off, or the two cockerels will fight. Note also that the cockerel will waltz again if he is taken out of the pen for a period, usually 24 hours, and put back. Some more aggressive cockerels will drop and extend both wings and puff out all their body feathers to give the hens or other cocks the impression of a larger size, and charge through the hen yard. Since antiquity, the rooster has been, and still is, a sacred animal in some cultures and deeply embedded within various religious belief systems and religious worship. The term "Persian bird" for the cock would appear to have been given by the Greeks after Persian contact "because of his great importance and his religious use among the Persians", but even long before that time, in Iran, during the Kianian Period, from about 2000 BC to about 700 BC, "the cock was the most sacred. In Shamanism in the Hmong culture, a shaman may use a rooster in religious ceremony as it is said that the rooster shields the shaman from "evil" spirits by making him invisible as the evil spirits only see the rooster's spirit. This sacred subject carved on early Christian tombs, where the sepulchral carvings have an important purpose, "a faithful wish for immortality, with the victory of the cock and his supporting genius analogous to the hope of resurrection, the victory of the soul over death". "When you hear the crowing of cocks, ask for Allah's Blessings for they have seen an angel" In Iran during the Kianian Period, from about 2000 B.C. to about 700 B.C., among domestic birds, "the cock was the most sacred" and within that religion, the devout, "had a cock to guard him and ward off evil spirits". Motto is ACCENDIT CANTU (Latin: He rouses us with song).
2019
Giclee on Canvas
16 W x 16 H x 1.25 D in
17.75 W x 17.75 H x 1.25 D in
White
Black Canvas
Yes
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Ukraine
Yurii Yermolenko – A Master of Fine Arts (MFA), author of special, large-scale, monumental picturesque projects, set designer, art director (musical video), music video director, photographer, Facevinyl & RapanStudio Founder and CEO. Born in 1973 Kiev (Ukraine) Lives and works in Kiev. "LIVE PAINTING" One will never forget works painted by artist Yurii Yermolenko. They carry a rave of color, flexibility of motifs, and a very special reality. - Yurii, how long have you been living for painting? Creation of a painting, the plot, the canvas – is this an outburst of emotions, or reflection of your world outlook? - I believe that I began to live for painting even before I was born. The birth of a painting on canvass most of all resembles a rite, when you are led by some creative ecstasy, intuition. It should be noted however that the period preceding the creation of a painting is very interesting. Here, an entirely different scheme works, involving a great deal of analysis, collection of information, anthropological studies, maybe, travelling. - Your paintings are distinguished for intense colors. Does this reflect your temper, or the desire to add colors to everyday routine? - In the first place, it reflects my temper of an artist and a painter. When you paint a picture, it should sound in colors, as a good musical composition, this is the main thing. - You have a unique technique of execution – the images are smudgy and distinct at a time. What stands behind it? - I like it when a painting represents a deep picturesque space, full of special light, as if in a dream, in which, images can breathe and vibrate. - Who, or what, inspires you? - My dear muse, my angel of inspiration protects and helps me. And as far as the projects are concerned, they may be triggered by a beautiful dream or a journey. - What really encourages you – criticism, or commendation? - I am encouraged not by criticism or commendation, but by angels of inspiration. Criticism or commendation take place post factum, as a response to a work of art; both are helpful; the worst thing is when there is no response at all. - Please, tell us about your creative plans. - I will continue experimenting with techniques. By the way, my another project was a pure experiment with "flower-dotted" fabric – this decorative pattern dictates the figurative space. MAGIC WOMAN magazine, Culture (section)
Artist featured by Saatchi Art in a collection
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