28 Views
1
View In My Room
Photo Paper
6 x 12 in ($40)
White ($80)
28 Views
1
This digital work is based on the composition of several photographs, narrating a walk in the mountains of Barcelona, in the summer of 2020. She was completely confined in Paris, since leaving Barcelona right before the closing of the borders in France. After months of anguish, and devastating news. she made it back to Barcelona in August. For a moment, she was able to escape. This was the first time she was in the outdoors since March. We stroll through the parc de la Creueta del Coll after lunch. After a long time of confusion, fear, and dismay, this is the first moment of relief in a long time. This is about rekindling with nature and its healing power. Giclée print with hahnemühle Museum Etching paper.
2020
Giclee on Photo Paper
6 W x 12 H x 0.1 D in
11.25 W x 17.25 H x 1.2 D in
White
Yes
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Marc Samper studied philosophy at the University of Barcelona (UB) and a master's degree in Film Studies and Contemporary Audiovisual Culture at the Pompeu Fabra University (UPF). This last year, from October 2020 to April 2021 he had a scholarship as Artist in Residence at Urban Nation Berlin. In the framework of the same, she realized the Video-art and installation project The Hanging gardens or the virtuality of the events. Haiku on screen. Always trying to combine his work as a videographer and filmmaker with his own projects, in 2015 he travels to Greece to shoot what will become his first feature film, Marathonas. There, coming into contact with the music scene surrounding the Labyrinth Musical Workshops in Crete, he has the opportunity to shoot a small experimental documentary about Ross Daly and his vision of modal music, Laberint. Since then he continues to make short video-art pieces as well as photography and digital artworks. Feeling inspired by filmmakers such as Nathaniel Dorsky, Stan Brakhage, or Val del Omar, Marc has always been interested in working the image to seek a displacement of consciousness from different phenomenological parameters. More than in the language itself, Marc is interested in the voids that circulate through it and from which one can access a "vision" from which to recompose reality and create new series of thought.
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