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The Artwork is provisionally entitled: Hell Girl Nishan Shaman or ‘The Nishan Shaman Harrowing Hiroshima Hell,’ otherwise, simply titled: Hell Girl. The Artwork is primarily based upon The Tale of the Nisan Shaman, also spelled ‘Nishan,’ which is an ancient Manchu folk tale about a female (Udagan) shaman (witch) who resurrects the son of a rich landowner, which led to her shamanic abilities becoming known of to the then Chinese emperor. However, the Chinese emperor feared Nishan’s power, whereby, through devious trickery he had her buried alive in a deep well near the city of Hailar, situated in Inner Mongolia. It is said that her revengeful ghost seeks to return back to the living. Nishan is also known of in Japan, who I then fused with a modern character from a stylish Japanese anime series, entitled, Hell Girl, also known as Jigoku Shōjo: Girl from Hell. The anime series was produced by Aniplex and Studio Deen. The surrealistic series focuses upon the existence of an occult system, which allows people to take revenge by having other people taken to Hell by the Hell Girl, named Ai Enma, who is aided by her assistant familiars implementing the revenge. The principle character of the Artwork was further fused with a described spirit, listed in the medieval grimoire, entitled the Goetia, called Shax, who is numbered as being the Forty-fourth spirit in said Grimoire. I have otherwise depicted Shax as an ‘Anima’ manifestation of a Succubus to name as Shaxi, or Shaanxi, being a name of a province in China, and in turn referring to the Manchu shaman tale of Nishan. The Shaanxi province of China is known for its pyramidal shaped structures, most of which are ancient mausoleums and burial mounds built to house the remains of several early emperors of China and their imperial relatives. About 38 of them are located around 25 kilometres (16 mi) – 35 kilometres (22 mi) north-west of Xi’an, on the Qin Chuan Plains in Shaanxi Province. The most famous is the Mausoleum of the First Qin Emperor, northeast of Xi’an and 1.7 km west of where the Terracotta Warriors were found. The depicted female deity within the energy egg, is the Japanese Goddess, Benziaten, who was originally derived from the Hindu Goddess, Saraswati.
Print:Giclee on Fine Art Paper
Size:12 W x 9 H x 0.1 D in
Size with Frame:17.25 W x 14.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Mardun is principally a Surrealist Artist, whose author's name is Faustus Crow; but both art and writing alchemically merge of a sacred wedding. Mardun has an experiential interest in lucid dreaming, which of a neurological phenomenon has inspired artists and authors throughout the ages, from whose creations since the time of the painted cave wall of a Shaman have sprung insights into the nature of reality, which became ensuing mystical traditions, such as the occultism of Aleister Crowley to that of the Surrealist 'fantasy fiction' of H.P Lovecraft. Mardun does not see a division between the practices of art and magic; for both practices deal with symbolism, which is the subconscious language form of surrealist dreams and of your fantastic Imagination, which also inspires your culture.
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