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Original Conceptual Time Mixed Media by Loreto Valenzuela
Original Conceptual Time Mixed Media by Loreto Valenzuela
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Original Conceptual Time Mixed Media by Loreto Valenzuela
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Original Conceptual Time Mixed Media by Loreto Valenzuela
Original Conceptual Time Mixed Media by Loreto Valenzuela
Original Conceptual Time Mixed Media by Loreto Valenzuela
Original Conceptual Time Mixed Media by Loreto Valenzuela
Original Conceptual Time Mixed Media by Loreto Valenzuela

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"Human 3.0" Fine Art Print

Loreto Valenzuela, Germany

$190

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
12 x 16 in ($190)
Select a Canvas Wrap
White Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This picture was made in a moment of worry and doing something mundane. I was standing repairing a plastic bicycle folder when suddenly I took a picture of the spray marks I had done in the past and I thought that is my motive for my picture. It is sometimes the case that what is inside of our minds...

Year Created:

2020

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

12 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

“Let me remind the reader that I am only an experimenter.” — Ralph Waldo Emerson, Circles (1841) I work through experimentation—following intuition, allowing chance to intervene, and staying open to what cannot be planned. Each piece may begin as an accident or a question, but it becomes a record of lived moments: sensations, fragments of memory, and small mysteries that insist on taking form. What matters most in my practice is persistence—the quiet decision to return, to repeat, to refine—until something settles and holds. Humility is part of this process: accepting that the work often reveals itself slowly, beyond my first intentions. I trust uncertainty as a collaborator, with the hope that what emerges through chance can create a shift—subtle but real—in the way we see, feel, and remember.

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