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Joshua Redman one Print

Carl Bradford

United States

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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8 x 10 in ($67)

8 x 10 in ($67)

12 x 15 in ($102)

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White ($80)

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White ($80)

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Metal: Light Pewter ($150)

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$147

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ABOUT THE ARTWORK

oshua Redman was born in Berkeley, California, to jazz saxophonist Dewey Redman and dancer and librarian Renee Shedroff. He is Jewish. He was exposed to many kinds of music at the Center for World Music in Berkeley, where his mother studied South Indian dance. Some of his earliest lessons in music and improvisation were on recorder with gamelan player Jody Diamond. He was exposed at an early age to a variety of musics and instruments and began playing clarinet at age nine before switching to what became his primary instrument, the tenor saxophone, one year later. Redman cites John Coltrane, Ornette Coleman, Cannonball Adderley, his father Dewey Redman, as well as the Beatles, Aretha Franklin, the Temptations, Earth, Wind and Fire, Prince, the Police and Led Zeppelin as musical influences.

DETAILS AND DIMENSIONS
Print:

Giclee on Fine Art Paper

Size:

8 W x 10 H x 0.1 D in

Size with Frame:

13.25 W x 15.25 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

JazzHead Studios is a collection of artworks inspired by and about the feelings and intensities from Jazz music. This collection all mixed mediums or original works on paper. My name is Carl H.Bradford III. I'm a bit of a creative idealist when it comes to my work. I surround myself with the many creative efforts of classic jazz and up and coming jazz musicians, bouncing between the older classics and the new. I feel I have a vast array of inspiration with all the past and present music available. Once I have that music in my ears, it inspires me to create my jazz works on paper. I search everywhere for jazz imagery, or I look in my own personal image collection for that perfect shot. As a graphic designer, I have been influenced by years of editorial image searches. Then hone in on an artist who is fully engaged in deep, musical thought. This is what pushes me to create the many layers that I call my JazzArt. My works can be subtle or dynamic, having color, texture and execution options. It is free flowing or graphic in nature. I work in a mixed medium approach using coffee grounds, watercolors, inks, dyes, pencils and pastels. I lock down each pass of the pastels with fixative, then add the next layer of emotion and color. For many years, I blended my multi-colored wash backgrounds with metallic, inks and dyes. This gave me a background on which to rest, or to pull out the figurative features in my compositions. This visually abstracted the coloring and highlights of my subjects. For the past 6 years, I have done the reverse - locking the features into the top layers with the background layers blended around the subjects. Though I’m still experimenting with new approaches, color techniques, formats and executions, I see myself capturing or recording the history of jazz for a new generation of traditionalists. The only way to survive is to evolve. The only way to evolve is to be creative.

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