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This is the second piece in the much anticipated 'Brighton Disaster series. While it has taken a while to bring to fruition (several years) it has been one of those pieces that have been my favourites while I've worked on it. I've also learnt that that big long 'to paint list' will never get any shorter. Created from a series of pictures from the point outside my seafront arch gallery, another misunderstood but iconic beast attacks the Palace Pier, but why? There has been a series of artist proofs of this piece with a variety of Brighton's regular locals taking prominent places in the foreground. This piece benefits from a hidden augmented reality digital layer which brings the piece to life using your smartphone. Just download the free ARTIVIVE app and point your phone at the image and turn up the sound. This wasn't supposed to be a commercial piece, but the more I held it back from public scrutiny the more interest grew. Get in touch if you can I can personalise this for you at .
2021
Giclee on Fine Art Paper
9 W x 12 H x 0.1 D in
14.25 W x 17.25 H x 1.2 D in
White
Yes
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United Kingdom
Born in the Midlands, UK in 1969. With poor eyesight as a child, as well as getting lost a lot, I developed a knack for taking mentally fuzzy snapshots of the world to help me navigate. These mental images were then frequently scribbled onto paper, in an attempt to clarify the blurred scenes around me. Encouraged by such comments as "come on Ant, stop squinting and draw a picture for your Auntie Margaret, “ techniques were nurtured while keeping me out of trouble (mostly). Later, studying fine art and sculpture at art school I became somewhat despondent around my peers. They were busy nailing tampons to trees as a "symbolic embodiment of the rise of China as an economic power, exploiting the arrogant attitudes expressed by Western Europe in the late 20th century", or some similar nonsense. I just wanted to paint pretty pictures. A need for food and rent, and an interest in computers led my disgruntled twenty-five-year-old self to a career in digital arts. Graphic design lead from print to the then-emerging world of web design. Eventually, less hungry and with a ‘proper’ job paying the bills, I combined a skill set of digital mediums with the addiction to express the aesthetic visions in his head and now produces art digitally from his studio in Hove, England. In July 2018, I opened up a gallery in one of Brighton's seafront arches, mainly in a bid to please my wife and take clear some of the house of my work. I now have a man's shed, beach hut, workshop, and gallery all rolled into one. I'm developing the art of customer service to those who come along and watch me paint, ask questions, and sometimes buy my art. The part that gives me the most pleasure is customers sending photos of where my work is in situ. You'll many of these on Facebook , Instagram , and on Google. I use this superb Saatchi site to sell one big original of each of my pieces, so thanks for looking.
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