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Canvas
12 x 16 in ($95)
White Canvas
White ($135)
38 Views
4
Artist featured in a collection
Nicolás Longo´s series of “Loading…” uses corrupted images to explore the binomial “Connected vs. Disconnected” as a political dilemma: as if removed from digital screens, these paintings rendered on translucent layered polymers reference an imaginary seen from third world economies. His work steps on its own tail, assaulting upon clarity and proposing degradation. Original artwork. Includes certificate of authenticity • Type: Sublimation and acrylic paints • Materials: Layered translucent textiles and polymers • Hand-signed by the artist • Includes Certificate of Authenticity This work of art will be shipped in a secure tube to be easily mounted on a frame or support of preference. Nicolas Longo (1983, Córdoba, Argentina) began his artistic career in 2001 under the influence of Post-Internet and the Argentine economic crisis. Longo frames his speech in the methodological mainstreaming that the digital / analog scenario proposes. These works belong to the “Loading…” series (2022). contemporary art, art, artist, painting, artwork, abstract art, modern art, artg allery, arte, fine art, art of theday, art collector, insta art, artists on instagram, drawing, contemporary painting, abstract, contemporary artist, gallery, photography, sculpture, design, kunst, abstract painting, interior design, oil painting, illustration, digital art, acrylic painting, artl overs, exhibition, contemporary, portrait, arte contemporaneo, street art, art for sale, artsy, creative, sketch, love, artcurator, visual art, paint, art contemporain, mixedmedia, artcollectors, urban art, abstract expressionism, pop art, figurative art, paintings, collage, architecture, abstract artist, painter, instagood, arts, nature, artexhibition, draw
2022
Giclee on Canvas
12 W x 16 H x 1.25 D in
13.75 W x 17.75 H x 1.25 D in
White
White Canvas
Yes
Ships in a Box
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Argentina
Nicolas Longo (1983, Córdoba, Argentina) began his artistic career in 2001 under the influence of Post-Internet and the Argentine economic crisis. Longo frames his speech in the methodological mainstreaming that the digital / analog scenario proposes. These works belong to The Decadence of Abstraction series (2019/20) and are structured under the orbit of Delaunay's Triangular Condition: each work requires around 100 hours, 6 digital interfaces, and a colorimetric range of more than 1000 values. Longo's Dynamic Abstraction is part of private collections in England, Spain and Argentina and has been reviewed by critics Claudia Moscovici (Fine Art Books) as: "... a geometry that explodes at seams, moves with a fascinating force in a dance of color and form that overwhelms the senses and torments the imagination ... ". Nicolás Longo has commercial representation in Latin America and Europe.
Artist featured by Saatchi Art in a collection
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