98 Views
6
View In My Room
Fine Art Paper
38 x 48 in ($240)
No Frame
98 Views
6
Showed at the The Other Art Fair
Artist featured in a collection
Landscape is one of the few subjects that I rarely do, but after the first lockdown in Italy, when we were finally allowed to go to the beach again, we started going to Ravello's beach: Castiglione, and after almost 3 years spent in London, it was something a little bit emotional for me. As the beach had acquired a special quality, it was more real to me , while being, at the same time, like something out of a dream. So I started taking picture of it, this one in particular is the view you have from the top of the street, with the town of Atrani in the background. The bell tower is one of the fews in Atrani, a beautiful, small village on the Coast. I often wonder why I cannot stop looking at it and being enchanted every time, and I guess it is because the bell tower is so iconic, so different in colour and shape from all the other buildings and from the church itself. I think it is also because it stands out, there is nothing behind it, it is surrounded only by the sky and the sea. It seems almost cut out. Atrani was the inspiration for some works by the artist Escher, too, who developed his obsession with tiny details and intertwined patterns here, on the Amalfi Coast. The town of Atrani is very popular at the moment as a series inspired by The talented Mr Ripley is been shot here, and the production transformed the town, which is already beautiful, in a version of an Italian small town in the Fifties which I find marvellous. Now that I live in Italy again I think my way to look at things is slightly changed, and I am thrilled to share my new vision of the Italian "landscape", made of things, people and places. This, like all the artworks from this series, has been treated with two to three layers of fixing spray; nonetheless I advise to promptly frame it with a glass too, to protect it from the dust. The artwork will be shipped rolled in a tube, I recommend to take it as soon as possible to a framer, to professionally flatten it back and to provide a frame with a glass, as the oil pastel needs to be protected from the dust. The artwork is signed on the front with my initials, and signed on the back with my full signature. 31th of October 2021
Giclee on Fine Art Paper
38 W x 48 H x 0.1 D in
Not framed
Ships Rolled in a Tube
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"Mary Cinque is an Italian painter, graphic designer and blogger working and living in the Amalfi Coast. Her works – joyful, bright, colourful painting and drawings – are inspired by this place, as well as her heritage, background and travels. Mary spent her childhood between Italy and Ethiopia. Before moving back to the Amalfi Coast in 2019, she has lived in Naples and Milan, where she attended academies of fine art; and Philadelphia, New York and London where she improved her artistic skills and style. Alongside making art, she works as an illustrator and graphic designer, collaborating with selected brands, working on artistic commissions such as illustrations, labels and showroom design. Cinque’s art develops themes connected with what makes us essentially humans: our habitat – the buildings, the streets, the cities – our bodies, what we eat and how we socialise. Art, in Mary’s paintings, becomes a powerful instrument of philosophical investigation which reveals who we really are by questioning our habits, observing those characteristic traits we share as a species, often without realising it. The artist looks at human beings from a different perspective, making interesting and significant what can seem normal or banal to us in our everyday life: the buildings that populate our cities, the streets we walk, people sitting across our table at a café, strangers on the bus. In this nutshell interview by Giulia Corti, Mary Cinque explores some of the most relevant aspects of her art and reflects on how it offers an intriguing and informative perspective about the way we live as human animals. Mary, your art is colourful and vivid, it mixes human and urban subjects by making use of various techniques (oil painting; pastel drawing, markers, “digital” drawing, print-making etc.) and materials (canvasses, magazine pages, an I-pad screen). How do you choose the means with which to develop an artwork and how do the different materials and techniques influence what you want to convey, if they do? Different subjects call for different techniques. Buildings and urbanscape are always acrylic on canvas, while I prefer to depict people using a quicker, immediate approach, like the one that I can get with markers and oil pastels or digital painting. By looking at the main themes of your art, it is possible to notice what seems to be a tension. On one hand, you portrayed the stillness and artificiality of urban landscapes and buildings (e.g.
Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles, London
Artist featured by Saatchi Art in a collection
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