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"Fashionable" Print

Fleur Spolidor

United States

Open Edition Prints Available:
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9 x 12 in ($65)

9 x 12 in ($65)

15 x 20 in ($99)

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Black ($80)

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

With the virus and the physical distancing, I was wondering how fashion will evolve in the next months. Large dresses were already used to keep away unwanted attention. How many fashion accessories will be invented to keep us safe, hats, masks, gloves, face shield, full body plastic armors?

Year Created:

2020

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

9 W x 12 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

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Need more information?

Fleur Spolidor is a french artist born in Paris who lived in Zurich and San Francisco and recently moved to Amsterdam. Daughter of a metallurgist engineer and a Freudian psychotherapist, she enjoys reading nonsense literature and adventure novels. She earned a M.F.A degree in Art History from a french University and subsequently taught Art History and Fine Art at the same university and in private Schools of Design. In 2004 she moved to California and started a successful business, teaching art classes in french to kids and adults. Spolidor has a knack for learning new art techniques: from stained glass to virtual reality painting. While playing with different techniques, she pushes her work towards contemporary issues like the never ending need to protect women’s rights and the accelerating global warming. Her main body of work called “Alice”, depicts the different characters of Lewis Carroll’s book in modern San Francisco with a vintage flair. She paints them over layers of found materials like plastic, fabric, metal, paper in an effort to recycle and reuse instead of discarding. In her other series called “Paris Flood” Spolidor mixes images of a century ago with photos found in the news. She mixes traditional and modern, digital and analog to try to reconnect the spectator with the scene he’s looking at. When we look at an old photograph, time gives a romantic patina to the event, we forget the suffering to only see the surrealism of the scene. When Spolidor superimposes old and new images, the catastrophes take another dimension. The past becomes a witness of our limited memory and our inability to plan for long term future. Superimposition works as a revealer. As we look through the membranes of the image, we go back to the essential. Spolidor’s figurative work drifts between nonsense and satyre, between past and present, to reflect on mankind’s short memory and the recurring mistakes we keep on making.

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