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100 Print

Jan Gielens

Spain

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About The Artwork

the probability reality by the composing of colors, possessing each of them their own wave length, frequencies, energy and matter in a well determined organization in interaction in space with matter – energy or other forms of energy. By interaction between the painting and other energy forms in space, electromagnetic interchanges arise, subject to gravity interchanges, in an intrinsically dynamic character. Every change in the created electric field creates as change in the magnetic field, a change in the magnetic field creates an electric field. Alternating, each other invoking electric and magnetic fields in chocking processes in a string of transformation and mutation, in a network of interchanges. Waves of a lineal surface and fascinating hyper dimensional patrons are being created. These probability waves, these reaction probabilities of chocks, interchange of creative orbits make tails and waves, directly by attraction and repulsion of resonances, continuously forming and dissolving among particles, impulses and compound waves. as a vibrating string a frequency of identities of probabilities are being created brief and continuously which might give birth to fractals. It concerns an exciting experience of idea, in which has been absorbed energy of the artist of this powerful play as well as the energy of the person experiencing this probability reality as the interaction of his space; it is an ever changing play of beautiful colors and forms between the two extremes in space.By using in the painting organic and/or synthetic and/or inorganic pigments, in certain colors, dance of shiva

Details & Dimensions

Print:Giclee on Canvas

Size:16 W x 16 H x 1.25 D in

Size with Frame:17.75 W x 17.75 H x 1.25 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Aguila (Jan Gielens, 15th January 1937), artist and founder of the "probability reality", a new tendency in contemporary art. His works consists of oil paintings , drawings, monumental installations, conceptual architecture, naval design and computer art . Aguila studied visual and monumental art at the Higher Institute for Arts and Sciences in St Lucas, Brussels under such artists as Jos De Maegd and Maurits Van Saene. During the last year of his art education Aguila came to the conclusion that rather than focus on color, priority should be given to strong compositional elements and the contact the painting has with the environment, thus extending the composition of the work into the three dimensional environment. In 1974, Aguila was invited to exhibit his paintings at the University of Ghent and to give some conferences, also at other European universities. Former conservator of the Museum for Modern Art in Brussels, Mrs. Phil Mertens, became interested in Aguila's way of painting, and recognized in him the founder of a new tendency in contemporary art , called "The Multidimensional Transparent Art". Later on, Aguila was invited to work as a full time teacher and lecturer at Cool International School in Brussels 1977-1980, and from 1977-1999 at Universidad Las Colinas in Elche, Spain , where he was full time engaged teaching and giving conferences based on his know how on painting, conceptual architecture, and art . The painting classes were soon being called "The School of Ilicitis", called after Ilice, the ancient name for Elche. Ilicitis means City of Light. The campus of the University was constructed by Aguila and his students amongst the many palm trees, using very light structures and materials. The social facet of this cultural artistic movement, started by Aguila, is present in his work all over and the aggregation of the multiple facets and disciplines gives birth to a living monumental work of art called "A Creation from out the free will" , started 1977 and ongoing until at present. This monumental work of art is composed of multi disciplinary works of art, sculpture , installations, design, philosophy, politeia and architecture. The reasom why Aguila´s work and person is not known throughout the broader art world is due to the fact that some most influential groups wanted to get control over the work of the young artist, who himself did not want to loose his artistic freedom and freedom of research.

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