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Fine Art Paper
10 x 8 in ($40)
White ($80)
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A peculiar tetrachromy (blue instead of yellow) on a paper surface worn out by the use (a former paper bag!). Painting is a magical ceremony, representing the making of the world and the artist is the backstage reason for this world, be it either a Deterministic Intelligence, God or Randomness...the necessity for being is the necessity for creation. The creator coincides with the creation, the human consciousness that tries to conceive the colours, the shapes and forms is actually the creation itself, the raison d'etre of the creation, that tries to define itself. The paper surface is the prerequisite for the creation, it is the spaceless space where the action takes place. Its creases, its bumps and hollows affect any random action reinforcing randomness. The flow is affected by the surface. Dynamism by the curved flow, dynamism by the flow lines that expand to various directions. Dynamism by the roughly torn edges of the paper. Dynamism by the overall faktura... the dynamism of life itself.
2022
Giclee on Fine Art Paper
10 W x 8 H x 0.1 D in
15.25 W x 13.25 H x 1.2 D in
White
Yes
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I am a self-taught artist, based in Thessaloniki and active for the last +50 years. Having started with figurative art, I have been through various styles over the years, Impressionism, Surrealism, Byzantine Iconography, Suprematism, Constructivism. Following a steady course towards abstraction. Lately, and after a geometric period, I am experimenting in an even more abstract style that involves liquid acrylic pigment poured over a surface - preferably package paper- and free intermixing of the colours with flow lines formation, often exceeding the painting surface bounds. Mainly inspired by Phenomenology and the ideas of how consciousness functions, my current work can be characterized free and abstract with no use of brushes or other painting tools. The flow of the liquid colours denote the continuous flow of the outer stimuli of the human consciousness, represents the creation of the cerebral time and tries to access pre-consciousness human stages. The images substitute the language and help experience a mystical way to approaching answers to questions dilemmatic, tricky, or bearing no answers at all! My influences include Kazimir Malevich and Lyubov Popova, Byzantine icons, Giorgio Morandi, Kuzma Petrov-Vodkin, the brothers Limbourg, the architects Georgii Krutikov, Mies van der Rohe, Aldo Rossi, Lazar Khidekel, Iakov Chernikov and also, the Japanese culture and its insights like Wabi-Sabi or Suiseki and ceremonial practices like Chanoyu. Finally a big influence is Jazz music, and the atonal music of Iannis Xenakis.
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