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"3 pink roses and yellow outline" Fine Art Print
$196
Material
- State-of-the-art coating infuses images directly to aluminum to make art come alive with vibrancy and clarity
- The heavy, ultra-hard, scratch-resistant surface is water and moisture resistant and can be cleaned easily – just avoid direct sunlight
- Features a robust 3/4" inset exhibit mount frame. Hardware installation provided
Size
Frame
Archival-grade Materials
Fade-resistant Inks
Professionally Printed
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Painted from my studio in Yorkshire using chalk and acrylic paint, 3 pink roses in ceramic vase with blue plate yellow line is part of a collection of paintings that are an expression of work that encompass elements of realism with impressionism, sparking up a conversation between concepts of remain...
Year Created:
2025
Subject:
Medium:
Print, Ink on Aluminum
Rarity:
Open Edition
Size:
10 W x 10 H x 0.88 D in
Ready to Hang:
Yes
Frame:
Not Applicable
Packaging:
Ships in a Box
Delivery Cost:
Calculated at checkout.
Delivery Time:
Typically 10-14 business days for domestic shipments, 15-21 business days for international shipments.
Returns:
All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
Need more information?
Need more information?
Rebecca paints landscapes and still lives, she enjoys finding inspiration from indoor and outdoor life. She works to commission as well as selling her original work as well as having a successful range of illustrated card designs.
'My desire is to connect with the materials, build bonds with the canvas, sit in the sunshine, or that tinkling of rain and fluttering breeze, observe and paint. Mastering my interpretation of colour and materials, understanding my connection to the subject and exploring is my main objective. Observations and humour have encompassed themselves in my old drawings. Now I'm here tantalising ideas with brushstrokes, observing the landscape or celebrating a group of found objects in the form of a still life. I don't adhere to the rigidity of categorisation, I ebb and flow with the flux as the creative passion drives me, quietly acquainting myself with my work.'
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