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Original Abstract Nature Painting by Erin Burns
Original Abstract Nature Painting by Erin Burns
small-01
Original Abstract Nature Painting by Erin Burns
small-02
Original Abstract Nature Painting by Erin Burns
Original Abstract Nature Painting by Erin Burns
Original Abstract Nature Painting by Erin Burns
Original Abstract Nature Painting by Erin Burns
Original Abstract Nature Painting by Erin Burns

17

"A Natural Beauty Should Be Preserved Like a Monument" Fine Art Print

Erin Burns, United Kingdom

$40

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
10 x 8 in ($40)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

Artist Recognition

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Acrylic, marker, oil, and resin on photograph on aluminum

Year Created:

2011

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 8 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Erin Burns

About the Artist

Erin Burns

United Kingdom

Born 1969 in California.<br>Lives and works in Brighton, UK.<br><br>I began this series by photographing the environs of my new surroundings, including images of spring buds and alien foliage in an unfamiliar landscape. I am interested in catching quiet moments of natural beauty which I then subjugate with mark making. Creating moments in time that reflect a melancholic attachment to the organic world, I investigate the formal qualities of painting utilising a process of layering various mediums. A process that is both additive and subtractive develops into an exploration of the relationships created through the juxtaposition of shapes. Intuitive responses to the images with paint, marker, and resin occur in the instance; the moment of makinginspired by what is on the mindletting go, rebirth, love and loss, and isolation - all subjects that have arisen from moving over the pond. The titles for this series predominately come from music listened to while working.

Recognition:

  • Artist featured in a collection

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