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Original Figurative Transportation Painting by Masha Pasichnyk
Original Figurative Transportation Painting by Masha Pasichnyk
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Original Figurative Transportation Painting by Masha Pasichnyk
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Original Figurative Transportation Painting by Masha Pasichnyk
Original Figurative Transportation Painting by Masha Pasichnyk
Original Figurative Transportation Painting by Masha Pasichnyk
Original Figurative Transportation Painting by Masha Pasichnyk
Original Figurative Transportation Painting by Masha Pasichnyk

27

"A Race Through The Ice Storm" Fine Art Print

Masha Pasichnyk, United States

$40

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
10 x 10 in ($40)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This is about the absurdity of winter, about willpower and a strong human character. I was in Kiev, Ukraine, when on 22nd of March 2013 a snowstorm knocked out the city for three days. My friends would still cycle. Some would even get off their bikes to help the drivers to push a stuck car off the r...

Year Created:

2016

Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Masha Pasichnyk

About the Artist

Masha Pasichnyk

United States

I have been painting for as long as I can remember. For me, it is a process that results in a still story, that leaves you a broad field for personalization. Mine is a story with very intuitive development. I chose, but not limited, acrylic on canvas as a medium I work with.

Every day I practice in delivering content to the viewer. I think I try to stick to realism as this style is the most comprehensible. It is also a means of communication and contact with people by allowing them to relate easier. I hope everyday approaches me to the point when one can feel by looking at the painting: laugh or cry..(I prefer people smiling, though).
I admire interconnection of every aspect of human culture and the way each one of them moves the whole in one direction, influencing each other. A particularly long time I spent looking at the painting The Sleeping Gypsy by French Naïve artist Henri Rousseau. The same captivation for me has Pieter Bruegel, Egon Schiele, Andreas Gursky and Elizabeth Peyton. But the most aspiring experience, accept for personal conversations with people I look up to, and who I truly believe shape our identities by sharing their baggage through an attitude, was probably the improvisational cinematographic language of Werner Herzog.

In the end of a day it is very simple - try to tell somebody your last night’s dream and not loose their interest.

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