103 Views
2
View In My Room
Philip Leister
Fine Art Paper
6 x 12 in ($40)
White ($80)
103 Views
2
Artist featured in a collection
Day-o, day-o Daylight come and me wan' go home Day, me say day, me say day, me say day Me say day, me say day-o Daylight come and me wan' go home Work all night on a drink of rum Daylight come and me wan' go home Stack banana 'til de mornin' come Daylight come and me wan' go home Come, mister tally man, tally me banana Daylight come and me wan' go home Come, mister tally man, tally me banana Daylight come and me wan' go home Lift six foot, seven foot, eight foot bunch Daylight come and me wan' go home Six foot, seven foot, eight foot bunch Daylight come and me wan' go home Day, me say day-o Daylight come and me wan' go home Day, me say day, me say day, me say day Daylight come and me wan' go home A beautiful bunch o' ripe banana Daylight come and me wan' go home Hide the deadly black tarantula Daylight come and me wan' go home Lift six foot, seven foot, eight foot bunch Daylight come and me wan' go home Six foot, seven foot, eight foot bunch Daylight come and me wan' go home Day, me say day-o Daylight come and me wan' go home Day, me say day, me say day, me say day Daylight come and me wan' go home Come, mister tally man, tally me banana Daylight come and me wan' go home Come, mister tally man, tally me banana Daylight come and me wan' go home Day-o, day-o Daylight come and me wan' go home Day, me say day, me say day, me say day Me say day, me say day-o Daylight come and me wan' go home 'Day-O (The Banana Boat Song)’ by Harry Belafonte Songwriters: Dave Tanner / William Attaway / Harry Belafonte / Lord Burgess "Day-O (The Banana Boat Song)" is a traditional Jamaican folk song. The song has mento influences, but it is commonly classified as an example of the better known calypso music. It is a work song, from the point of view of dock workers working the night shift loading bananas onto ships. The lyrics describe how daylight has come, their shift is over, and they want their work to be counted up so that they can go home. The best-known version was released by American singer Harry Belafonte in 1956 (originally titled "Banana Boat (Day-O)") and later became one of his signature songs. That same year The Tarriers released an alternative version that incorporated the chorus of another Jamaican folk song, "Hill and Gully Rider". The Tarriers version was recorded by Shirley Bassey in 1957 for her 1959 album The Bewitching Miss Bassey. The song was first recorded by Trinidadian singer Edric Connor and his band "Edric Connor and the Caribbeans" on the 1952 album Songs From Jamaica; the song was called "Day Dah Light". Belafonte based his version on Connor's 1952 and Louise Bennett's 1954 recordings. In 1955, American singer-songwriters Lord Burgess and William Attaway wrote a version of the lyrics for the Colgate Comedy Hour, in which the song was performed by Harry Belafonte. Belafonte recorded the song for RCA Victor and this is the version that is best known to listeners today, as it reached number five on the Billboard charts in 1957 and later became Belafonte's signature song. Side two of Belafonte's 1956 Calypso album opens with "Star O", a song referring to the day shift ending when the first star is seen in the sky. During recording, when asked for its title, Harry spells, "Day Done Light". Also in 1956, folk singer Bob Gibson, who had traveled to Jamaica and heard the song, taught his version to the folk band The Tarriers. They recorded a version of that song that incorporated the chorus of "Hill and Gully Rider", another Jamaican folk song. This release became their biggest hit, reaching number four on the pop charts, where it outperformed Belafonte's version. The Tarriers' version was recorded by Shirley Bassey in 1957 and it became a hit in the United Kingdom. The Tarriers, or some subset of the three members of the group (Erik Darling, Bob Carey and Alan Arkin, later better known as an actor) are sometimes credited as the writers of the song; their version combined elements of another song and was thus newly created. Harry Belafonte (born Harold George Bellanfanti Jr.; March 1, 1927) is a Jamaican-American singer, songwriter, activist, and actor. One of the most successful Jamaican-American pop stars in history, he was dubbed the "King of Calypso" for popularizing the Trinidadian Caribbean musical style with an international audience in the 1950s. His breakthrough album Calypso (1956) was the first million-selling LP by a single artist. Belafonte is known for his recording of "The Banana Boat Song", with its signature lyric "Day-O". He has recorded and performed in many genres, including blues, folk, gospel, show tunes, and American standards. He has also starred in several films, including Otto Preminger's hit musical Carmen Jones (1954), Island in the Sun (1957), and Robert Wise's Odds Against Tomorrow (1959). Belafonte was an early supporter of the Civil Rights Movement in the 1950s and 1960s and was a confidant of Martin Luther King Jr.. Throughout his career, he has been an advocate for political and humanitarian causes, such as the Anti-Apartheid Movement and USA for Africa. Since 1987, he has been a UNICEF Goodwill Ambassador. He was a vocal critic of the policies of the George W. Bush presidential administrations. Belafonte acts as the American Civil Liberties Union celebrity ambassador for juvenile justice issues. Belafonte has won three Grammy Awards (including a Grammy Lifetime Achievement Award), an Emmy Award, and a Tony Award. In 1989, he received the Kennedy Center Honors. He was awarded the National Medal of Arts in 1994. In 2014, he received the Jean Hersholt Humanitarian Award at the Academy's 6th Annual Governors Awards. Source: Wikipedia
2020
Giclee on Fine Art Paper
6 W x 12 H x 0.1 D in
11.25 W x 17.25 H x 1.2 D in
White
Yes
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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"
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