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Original Expressionism Botanic Painting by Naoko Benom-Miura
Original Expressionism Botanic Painting by Naoko Benom-Miura
small-01
Original Expressionism Botanic Painting by Naoko Benom-Miura
small-02
Original Expressionism Botanic Painting by Naoko Benom-Miura
Original Expressionism Botanic Painting by Naoko Benom-Miura
Original Expressionism Botanic Painting by Naoko Benom-Miura
Original Expressionism Botanic Painting by Naoko Benom-Miura
Original Expressionism Botanic Painting by Naoko Benom-Miura

28

"A letter to my flowers" Fine Art Print

Naoko Benom-Miura, Japan

$40

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
8 x 12 in ($40)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

Artist Recognition

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This is the work that I created in a live painting show in Feb, 2020 at a gallery in Japan. I was struggling at one point with the art, and then a little child came near to watch me. I invited her to the stage, and she made a couple of small brush strokes on the art. Those strokes made the art start...

Year Created:

2020

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

8 W x 12 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Naoko Benom-Miura

About the Artist

Naoko Benom-Miura

Japan

One day, when I was 8, I had to draw my mom as a homework assignment. After painting my mom's face. I worked on the background, adding bright red. Strangely, my mom's face looked like it shrank as I changed the background. I was shocked to see how colors change what we perceive in our minds and with our eyes. That was when I decided to become an artist.

I worked on sketches, pencil drawings, and design all day from morning to night, and sometimes even in my dreams in order to enter an art college. i was able to enter art school in Tokyo, majoring in textile design, and stayed in Tokyo after college to work as a graphic designer. After 8 years of this hectic lifestyle, I felt like I was totally lost. I knew I needed to change everything right then. I chose to leave Japan, and went to Los Angeles, California, and then, to Eugene, Oregon, to work on my art and my life.

I worked for a clay artist, and went to the University of Oregon to study more about art, design and English. Then, I worked at a design office as a graphic designer, and another company as a web designer. Now, I know what I was looking for when I was doing that. I was looking for the answer these questions.
“What’s my relationship with design? What’s my relationship with art?” I was frustrated that I couldn’t get any answers. I began to think,
“If there is a God of art, they must hate me! Fine! I hate them too!”
I suffered through a year in which I could not create anything. I deeply realized I just have to keep creating art, otherwise I will be dead, even if the God of art hates me.

In 2007, when I was working as a graphic designer, one of my clients misordered and gave me an illustration job, not a graphic design job. But, for some reason, I decided to take that job. That illustration job reminded me of the homework when I drew my mom back in elementary school. I felt like I finally found the answer that I was looking for the whole time! This is when I really started to be an illustrator and artist. After 9 years of living in America, I returned to Japan in 2008.

In 2014, I opened an office/ workshop in a little port town in Fukuoka with people who work on town development and planning. I started to consider art from a social point of view. That was also a big turning point for me.

In 2017, I started to take story classes with professor Minoru Meguro, learning the art of poetry and literature. I started to develop a broader love for the existence of art.

Recognition:

  • Artist featured in a collection

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