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Open Edition Prints Available:
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12 x 16 in ($95)
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White Canvas
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White ($135)
$230
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ABOUT THE ARTWORK
C comes from the protosinaitic guimel, actually the image of the camel. The camel is the symbol of great journeys and of the strength of the internal force that is coming outside through the way it is pushing the one move from the initial point, the one's original place of birth. This means to break with the initial, being free from any compensation, pension. The C symbolises being adult, going out from parent house, parental scheme of managing life and finding his own way of being, existing, living and having pleasure. Author : Stella Polare/Yunusova, French Uzbek young artist, main project have taken place in UNESCO, LOUVRE, Boukhara Museum. In 2020, Stella Polare obtained the Tretyakov crown for the drawing on lockdown. Her art concept is vitaculture, joy urgency. She works with oil, acrylic on canvas, drawing with china ink, textile and other media, that she choses to work in some project. For more please visit
DETAILS AND DIMENSIONS
Print:
Giclee on Canvas
Size:
12 W x 16 H x 1.25 D in
Size with Frame:
13.75 W x 17.75 H x 1.25 D in
Frame:
White
Canvas Wrap:
White Canvas
Ready to Hang:
Yes
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
Have additional questions?
Please visit our help section or contact us.
My signature is my biography. All my artworks are signed Stellla Polare. My real name is Khulkar YUNUSOVA. I was born in Uzbekistan. I live and work in France. My grandmother gave me the name Khulkar that means the polar star. The last determined my artistic signature. After my studies in Economy and Management I worked for different projects, particularly in pediatrics oncology at the latest stage. Visiting hospitals and seeing patients suffering from oncology diseases made me feel the life different. Little patients, being so physically fragile, were spiritually so adult and mature, that made a great impression on me. These children are deeply conscious of the death. Their least moment of the pain settling down is a synonym of the happiness. They are using all they have : their energy, their time to live entirely. This wisdom turned the static perception of the “happiness” in the. Before it consisted of the social positions of the Uzbek and the French woman. The happiness meant being a good wife on one hand, and being emancipated on the other. Today my “happiness” is as ephemere as the light in permanent contrast with shadow. Can I be happy during a long time without being afraid of death neither altering with the moment of pain? Why be afraid of the Death if the only Death is absolute as motivates to our best now?
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