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Fine Art Paper
12 x 8 in ($53)
White ($80)
63 Views
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Artist featured in a collection
(italiano sotto) -Breve storia della musica- di Massimo Mila, 1946 Short History of Music- Massimo Mila, 1946 There is an originality of the style that doesn't depend on the novelty of the language A book that I loved very much, where I found alone, what I wanted to know about music and that my piano teachers, at a time of my adolescence, they didn't know at all: the eye of modernity in music. Massimo Mila was instead - this look - and the quote I want to celebrate, represent precisely this concept of modernity. I wanted to imagine the black lines of the staff in the fabric, and instead of the notes, something more advanced, such as sound waves. The painting is framed on normal wooden frame with canvas and then over, the silk painting stretchened. Un libro che ho molto amato, dove ho trovato da sola, quello che volevo sapere sulla musica, e che i miei insegnanti di pianoforte, durante la mia adolescenza, non conoscevano affatto: l'occhio della modernità nella musica. Massimo Mila aveva invece aveva questo -sguardo della modernità- e la citazione che voglio celebrare, rappresenta proprio questo concetto di modernità. Ho voluto immaginare le linee nere della seta come un pentagramma, e al posto delle note ho immaginato qualcosa di più avanzato, come le onde sonore. Il dipinto è intelaiato su un normale telaio in legno, con la sua tela e sopra a questo è tirato il dipinto in seta.
2021
Giclee on Fine Art Paper
12 W x 8 H x 0.1 D in
17.25 W x 13.25 H x 1.2 D in
White
Yes
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Mara lives and works in Italy in the province of Modena. She began to paint with determination from 1980 to 1995, continuing to study piano; doing some exhibits, personal and collective. She then resumed continuously from 2008. She didn't follow a formal artistic education , but her natural eclectic spirit, led her to express herself as spans a range of media including: installations of leaves-painted sculptures; words on silk panels; ceramic pots; pillow-talking objects; large oil paintings. Her colors are bright, bold, colorful and sunny; her style ranges from expressionism-abstract to figurative-revisited, maintaining a constant freedom of expression over time. She has exhibited in Italy and since 2018 has some collectors in the U.S. Extended history Over the years, I still continue to research and experiment with the same spirit of the beginnings, and now also with a deeper psychic awareness, about creativity: 'Keeping the creative current clear' (C.P.Estés). The subject matter of my work is often poetry and literature, that inspire me to represent, in different ways, some poetic compositions; but also songs, words, quotations, everything which captures me in one casual moment. My themes are: love, nature, feelings, sensations, thoughts. It leads me to a certain libertarian spirit, that aside from reflecting my indole, it born from the passion for Surrealism, understood as a philosophy of life: "poetry, art, love... the surrealist game..., the principle of pleasure on reality..." (Arturo Schwarz, Milano 2009). Reading A. Schwarz, I noticed that the artists I had always loved, all had a common thread leading to Surrealism. Apollinaire, J. Mirò, G.Moreau, Kandinsky, Chagall, Duchamp, they are all among the precursors of the Surrealism. I express myself in different ways: as painting lotus leaves with oil colour; or painting on large canvas portraits; representing a surrealistic poetry with dream images, a bit abstract and a bit ricognizable shape. I also like silk and make many collages with it, in mixed media; or even to create real 'talking cushions' in silk, like art objects that hide their sense in a literary story, to be discovered, inside them, just like ' surrealistic game'. I also like inks and water colour, used in informal style, but always representing a theme, a title, a wrote word, one formal element at least.
Artist featured by Saatchi Art in a collection
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