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Netherlands
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8 x 12 in ($40)
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Abstracting Endeavours This oil painting Anaglyphical Roundism – 27-07-22 is my next project after ‘Golden – 18-07-22’. That one kicked up a lot of dust. Of course I like to vary so this time it was all about cubist styling again. Chosing a theme proves to be difficult because I made so many graphite pencil drawings yet to elaborate yet. For no particular reason I chose ‘Tribute to Man Ray (Lee Miller) – 22-04-16 (sold)’. Particularly that one I always like a lot in spite of the fact that I sold it only years later. Maybe a recognition by the public of my abstracting endeavours. In particular I sought abstraction in keeping bodily features open and let them communicate with the negative space around them. The hand leaning over the absent knee almost is a laugh. However I don’t think adding more knee was necessary. A Challenge All very fine but what to do next? Since I started to do merely oils this year based on previous drawings., I put myself in new trouble. Often I feel bad about sheer copying a theme, even if it is my own drawing. I take pleasure in inventing stuff and I was wondering what value I could add. Obviously that would be color but what scheme? I happened to go to Museum Kranenburgh in Bergen where I wanted to see Leo Gestel’s Mallorca series. It very well may be he could offer me some solutions. Next to the landscape paintings especially one Gitana portrait caught my eye. It contained an array of beautiful pinks, blues, purples and reds. So it came to be that I experimented with these colors. Very soon I found it the experiment was to no avail.
Print:Giclee on Fine Art Paper
Size:8 W x 12 H x 0.1 D in
Size with Frame:13.25 W x 17.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Netherlands
1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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