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Original Abstract Expressionism Classical Mythology Painting by Barbara Kuebel
Original Abstract Expressionism Classical Mythology Painting by Barbara Kuebel
small-01
Original Abstract Expressionism Classical Mythology Painting by Barbara Kuebel
small-02
Original Abstract Expressionism Classical Mythology Painting by Barbara Kuebel
Original Abstract Expressionism Classical Mythology Painting by Barbara Kuebel
Original Abstract Expressionism Classical Mythology Painting by Barbara Kuebel
Original Abstract Expressionism Classical Mythology Painting by Barbara Kuebel
Original Abstract Expressionism Classical Mythology Painting by Barbara Kuebel

5

"Artemis and the naked bear" Fine Art Print

Barbara Kuebel, Austria

$190

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
12 x 16 in ($190)
Select a Canvas Wrap
Black Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

Artist Recognition

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The Greek mythology has a lot to offer for contemporary artists and displaces the own idea of relevance into a logic of perspective.

Year Created:

2024

Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

12 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

My works are inspired by a very personal perception of situations. I create live sized figures in monochrome colours to reduce myself to what counts and what is necessary. The line is the most important carrier of information and I use my cutting tools for the woodcuts the same way I would use a pencil. When talking about the practical background I stress that I am inspired by sculpturing and I compare woodcut the way I do it as THE printing technique which is closest to three-dimensional art. The subject matter starts from the idea of a knot, where two parts can be combined to a construct in endless ways. The area of the wood for that reason is mostly constant - I also reduce myself in this sense to a defined unit.

Artist Recognition
Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Dallas, Dallas, Dallas, London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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