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Fine Art Paper
8 x 10 in ($67)
White ($80)
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Jenny Saville transcends the boundaries between figurative and abstract, between informal and gestural, managing to transfigure the news into a universal image. Like no other artist of our time, she has left postmodernism behind to rebuild a close dialogue with the great European pictorial tradition. This portrait of the great artist is part of a series of portraits of contemporary artists included in an exhibition. The exhibition in question entitled "Contemporary Dreamers" is a personal exhibition of about 90 paintings, which I created by exhibiting them, by invitation, at the Bracci Pagani museum system in Fano Italy between December 2021 and January 2022. The portrait was made with different techniques: From acrylic to digital on a basis similar to Forex but lighter (Communication). For those wishing to visit the exhibition, watch the short video on you tube at this link https://youtu.be/HiGJWVESwr0
2019
Giclee on Fine Art Paper
8 W x 10 H x 0.1 D in
13.25 W x 15.25 H x 1.2 D in
White
Yes
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Born in Italy in Marche region,after many year of life in Milano. I attended the art high school and the Book art school in Urbino, with a cartoon focus. I worked in the Bozzetto studio as an animator, artistic director and director. I participated, as a character creator, in the film “Allegro Non Troppo”. I have collaborated on some Enzo D’Alò films in Lanterna Magica. Later I had my own production company. (Motusfilm) I have been an illustrator and author of children's books and the author of several animated short films awarded at various national and international festivals. I currently riturn to live in the Marche region .Here I work on portraits, and I paint personal interpretations of the human figure and portrait, two and three dimensional, with mixed techniques ranging from clay, digital, acrylic, photocopy, papier-mâché. Why the portraits? Because I'm curious about human nature. In the last exhibition I exhibited more than 50 plates of portraits of contemporary artists, where I not only show the face of the artist, but also his art that mixes and intertwines with my work, that is, I adapt to his style, and his style is adapted to my composition, sometimes even leaving out the verisimilitude, to give more space to what I perceive of that artist. From an early age I enjoyed drawing and coloring, and this propensity has never abandoned me, on the contrary it has been further increased by the artistic direction of the various schools I attended. In my works there is everything that I absorbed in the place of my childhood, that is: the masks, the carnival, the allegorical float, which were and still are a moment of happiness and joy and, especially my thirty-year profession as a cartoonist.
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