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View In My Room

At Sea, Night, Orange Grid Print

Marc Vischer

United States

Open Edition Prints Available:
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Canvas

Canvas

Fine Art Paper

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16 x 12 in ($95)

16 x 12 in ($95)

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White Canvas

White Canvas

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White ($135)

Black ($135)

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$95

134 Views

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

On a cruise ship at night on the the Atlantic Ocean, the white foam and sea spray were lit up by the lights from the lower decks. It was very mesmerizing. I enjoy the textured surface I build using acrylic modeling paste which mimics the shape of waves.

Year Created:

2021

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 12 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Born, Montana, USA, also lived in Seattle and the San Francisco Bay Area, now residing on the high prairie of Southern Montana surrounded by wide, open spaces. Over the years I have enjoyed using a variety of mediums in a variety of ways, from photography to painting, from realistic to abstraction. From small, intimate objects to larger than life works on unstretched canvas. I enjoy taking a big reality and condensing it down to a few small tokens or blowing up the small and mundane so as to be unavoidable to the viewer. My early photographs were manipulated to look like abstract paintings and some of the realistic paintings I’ve done over the years look like they are photographs. Recently, I’ve turned to painting loosely geometric abstractions. Sometimes a highly textured surface is built up layer after layer and the final layers are essentially controlled accidents coliding with the underlying shapes/textures. There is also a play between the observed surface in contrast to what appears to be a distance, a field, a void that gives the whole painting a three dimensional feel. If I had to briefly sum up my approach to art making, it would be to view it as a self imposed puzzle that is a challenge and eventually a joy to solve.

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